"Die Fledermaus: Overture" by Johann Strauss II, Friedrich Haider, WDR Rundfunkorchester Köln had its release date on February 4, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Fledermaus: Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Fledermaus: Overture by Johann Strauss II, Friedrich Haider, WDR Rundfunkorchester Köln having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
| Tres jolie, Op. 159 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | D Major | 1 | 10B | 119 BPM | ||
| Swan Lake, Op. 20 (Mariinsky Version), Act III: No. 27b, Un poco di Chopin. Tempo di mazurka (1895 Version, Orch. Drigo from Op. 72 No. 15) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 85 BPM | ||
| Feuilleton, Op.193 'Features section' | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | C Major | 1 | 8B | 104 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Tchaikovsky: Slavonic March, Op. 31 | Pyotr Ilyich Tchaikovsky, Seiji Ozawa, Berliner Philharmoniker | E Minor | 2 | 9A | 104 BPM | ||
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Suppe: Light Cavalry Overture | CHA Medical Center | A Major | 3 | 11B | 89 BPM | ||
| Slovanic Dances, Op. 46, B. 83: Slavonic Dance No. 8 in G Minor, Op. 46, No. 8 | Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | G Major | 1 | 9B | 145 BPM | ||
| Ohne Bremse, Op. 238: Ohne Bremse, Polka schnell, Op. 238 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | D Major | 4 | 10B | 145 BPM | ||
| Fučík: Der alte Brummbär, Op. 210 | Julius Fučík, Václav Neumann, Jiří Formacek, Czech Philharmonic | F Major | 2 | 7B | 82 BPM | ||
| Coppélia / Tableau 3: No. 20 Fête de la cloche: 7b) Danse de fête | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 1 | 8B | 133 BPM | ||
| Tchaikovsky : Waltz From Sleeping Beauty | Tchaikovsky, 어린이 클래식 | B♭ Major | 1 | 6B | 112 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Liechtenstein-Marsch, Op. 36 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack | B♭ Major | 4 | 6B | 110 BPM | ||
| Luftig und duftig, OP. 206 | Eduard Strauss, Wiener Johann Strauss Orchester, Franz Bauer-Theussl | D Major | 4 | 10B | 78 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| Newa-Polka, Op. 288 | Johann Strauss II, Neeme Järvi, Estonian National Symphony Orchestra | E♭ Major | 2 | 5B | 165 BPM | ||
| Gedankenpflug - Walzer Op. 215 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | D Major | 1 | 10B | 100 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16e, Pas de deux de Fanny Elssler. Coda | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 3 | 7B | 151 BPM | ||
| Sans-Souci, Op. 178: Sans-souci-Polka, Op. 178 | Johann Strauss II, London National Philharmonic Orchestra, Vienna Festival Orchestra, Laurence Rosenthal, Alfred Eschwe | G Major | 1 | 9B | 166 BPM | ||
| Neue Pizzicato-Polka, Op. 449: Neue Pizzicato-Polka | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice | C Major | 0 | 8B | 152 BPM | ||
| La source, ou Naila: Suite No. 3: La Source: Intermezzo (Pas des Fleurs, Grande Valse) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 125 BPM | ||
| Glowing Hearts | Veridia | E Major | 3 | 12B | 178 BPM | ||
| Allerlei - Polka schnell, Op.219 - 1989 Remastered Version | Josef Strauss, Wiener Johann Strauss Orchester, Willi Boskovsky, Johann Strauss II | G Major | 3 | 9B | 76 BPM |