Brad Fiedel's 'Terminator Revives - Remastered 2017' had a release date set for January 1, 1991. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Terminator Revives - Remastered 2017's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Terminator 2: Judgment Day (Remastered 2017)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. Based on our statistics, Terminator Revives - Remastered 2017's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Terminator Revives - Remastered 2017 by Brad Fiedel having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Bourne Identity Main Title | John Powell | G Major | 4 | 9B | 81 BPM | ||
| Care Package | Basil Poledouris | F Major | 0 | 7B | 83 BPM | ||
| The Terminator | Marco Beltrami | A Major | 2 | 11B | 165 BPM | ||
| That’s Gotta Hurt | Don Davis | E Minor | 4 | 9A | 78 BPM | ||
| Training Montage - From "Rocky IV" Soundtrack | Vince DiCola | B Minor | 8 | 10A | 81 BPM | ||
| Predator | John Beal | D Minor | 2 | 7A | 85 BPM | ||
| Paulie's Robot | Vince DiCola | F Minor | 8 | 4A | 107 BPM | ||
| Adagio for Strings "The Village" | Platoon Soundtrack | B♭ Minor | 2 | 3A | 86 BPM | ||
| Main Title | Basil Poledouris | B♭ Major | 4 | 6B | 100 BPM | ||
| No Courage Without Fear | Christophe Beck | C Minor | 4 | 5A | 85 BPM | ||
| Sidney's Lament - From "Scream" | Marco Beltrami | C Major | 2 | 8B | 37 BPM | ||
| Captive Child | Graeme Revell | D♭ Major | 1 | 3B | 88 BPM | ||
| Enter The Asylum | Nick Arundel | E♭ Minor | 1 | 2A | 76 BPM | ||
| Final Match | Leo Birenberg & Zach Robinson | C Major | 2 | 8B | 110 BPM | ||
| Kill Bill: Battle Without Honor or Humanity - Rock Version | M.S. | B Minor | 6 | 10A | 110 BPM | ||
| My Number Is 47 | Geoff Zanelli | A Minor | 1 | 8A | 112 BPM | ||
| Materia Primoris: The X-Files Theme (Main Title) | Mark Snow | A Minor | 2 | 8A | 88 BPM | ||
| Vapor | Mesyrea | F Minor | 6 | 4A | 154 BPM | ||
| Wifeing - Theme Of Love Conan The Barbarian | Steven Scott Smalley | C Minor | 2 | 5A | 87 BPM | ||
| Terminator II Judgement Day - Terminator Main Title | Various Artists | D Minor | 1 | 7A | 90 BPM | ||
| Inertia | Graeme Revell | C Minor | 2 | 5A | 92 BPM | ||
| Drive Montage | Basil Poledouris | B♭ Major | 3 | 6B | 123 BPM | ||
| Justice League | Frederik Wiedmann | D Minor | 4 | 7A | 133 BPM | ||
| Funeral March | WWE, Jim Johnston | A Major | 2 | 11B | 74 BPM | ||
| Return To The Grave | Graeme Revell | F Major | 1 | 7B | 140 BPM |