"Berlin - Original Motion Picture Soundtrack" by Harry Gregson-Williams had its release date on January 1, 2001. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Berlin - Original Motion Picture Soundtrack's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Spy Game". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Berlin - Original Motion Picture Soundtrack is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Berlin - Original Motion Picture Soundtrack by Harry Gregson-Williams having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Two Wives | Basil Poledouris | E♭ Major | 0 | 5B | 90 BPM | ||
| Ostia | Harry Gregson-Williams | E Minor | 1 | 9A | 87 BPM | ||
| Relevancia Absoluta | Bellum Sanctus | C Major | 2 | 8B | 90 BPM | ||
| The Craziest Mess I've Ever Seen | Steve Jablonsky | B♭ Minor | 5 | 3A | 125 BPM | ||
| Always Was | Mychael Danna | F Major | 0 | 7B | 62 BPM | ||
| The Citrine Cross | Hans Zimmer, Richard Harvey | B♭ Major | 1 | 6B | 78 BPM | ||
| Su-Chou Prison - Original Motion Picture Soundtrack | Harry Gregson-Williams, London Session Orchestra | E Major | 8 | 12B | 97 BPM | ||
| Maybe You're My Puppet | Cliff Martinez | C Major | 1 | 8B | 61 BPM | ||
| Last Pitch | Basil Poledouris | A♭ Major | 3 | 4B | 89 BPM | ||
| The Bridge | Harry Gregson-Williams | G Major | 4 | 9B | 174 BPM | ||
| Strange People | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| The Island Awaits You | Steve Jablonsky | A Minor | 3 | 8A | 120 BPM | ||
| Opening Titles / Blood Drips | David Julyan | D♭ Major | 1 | 3B | 116 BPM | ||
| End Credit - Final Chronicle | Graeme Revell | C Minor | 7 | 5A | 92 BPM | ||
| Claire's Rescue - Score | Harry Gregson-Williams | F♯ Major | 2 | 2B | 114 BPM | ||
| Goodnight Bastard | Marco Beltrami, Buck Sanders | G Minor | 2 | 6A | 153 BPM | ||
| Cora | Trevor Jones | E Major | 1 | 12B | 70 BPM | ||
| Photo Montage | Nick Glennie-Smith | C Minor | 3 | 5A | 55 BPM | ||
| Machine Gun Lullaby | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| Suite from Jack Reacher (Digital Bonus Track) | Joe Kraemer | E Minor | 1 | 9A | 83 BPM | ||
| Man's Reach Exceeds His Imagination | The Prestige | C Major | 1 | 8B | 91 BPM | ||
| Speech | Harald Kloser, Thomas Wander | D Minor | 3 | 7A | 82 BPM | ||
| Echoes in Time | Astrid Voix | D Major | 0 | 10B | 85 BPM | ||
| Ontological Shock | Don Davis | G Minor | 5 | 6A | 67 BPM | ||
| The Fight (Part 2: Bring Me Everyone) | Éric Serra | A♭ Major | 1 | 4B | 89 BPM |