Anton Bruckner, Regensburger Domspatzen, Roland Büchner's 'Locus iste' had a release date set for July 1, 2019. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Terra Sancta - Gesänge im Heiligen Land". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. In terms of popularity, Locus iste is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Locus iste by Anton Bruckner, Regensburger Domspatzen, Roland Büchner having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM | ||
| Tabortüznel | Lajos Bárdos, Ensemble vocal Filigrane, Jean-Philippe Billmann | D Minor | 1 | 7A | 89 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | ||
| Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
| Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
| Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | B♭ Major | 2 | 6B | 88 BPM | ||
| Indodana | Michael Barrett, Ralf Schmitt, Faulkner University Chorus, Allen Clements | A Minor | 1 | 8A | 80 BPM | ||
| Hänsel und Gretel / Act 2: "Abends will ich schlafen gehn" | Engelbert Humperdinck, Ann Murray, Edita Gruberova, Staatskapelle Dresden, Sir Colin Davis | D Major | 0 | 10B | 171 BPM | ||
| Die Zauberflöte, K. 620, Act I: No. 2, Der Vogelfänger bin ich ja | Wolfgang Amadeus Mozart, Gottfried Hornik, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 76 BPM | ||
| Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
| Butterfly | Mia Makaroff, National Youth Choir Of Great Britain, Tom Bullard | B Major | 1 | 1B | 98 BPM | ||
| 4 Shakespeare Songs: No. 3, Double, double toil and Trouble | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 0 | 4B | 90 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| Aber du weißt den Weg für mich | Taizé | E Major | 2 | 12B | 110 BPM | ||
| Geistliche Chöre, Op. 69: Nr. 3 Abendlied | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | F Major | 0 | 7B | 136 BPM | ||
| Loreley (Ich weiß nicht, was soll es bedeuten) | Rundfunk-Jugendchor Wernigerode (Männerchor) | D Major | 2 | 10B | 116 BPM | ||
| The Rhythm of Life | Cy Coleman, Bobbi Fischer, Veit Hübner, Torsten Krill, Ulmer Spatzen Chor, Hans de Gilde | F♯ Minor | 2 | 11A | 85 BPM | ||
| As torrents in summer | Edward Elgar, Phoenix Chorale, Christopher Gabbitas | B♭ Minor | 1 | 3A | 91 BPM | ||
| Hänsel und Gretel: "Abends will ich schlafen gehn" | Engelbert Humperdinck, Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 84 BPM | ||
| Atme in uns, heiliger Geist. | Taizé | D Minor | 1 | 7A | 68 BPM | ||
| Die Abendruhe | Rolf Kern, Sonat Vox, Motley Brass, Justus Merkel | F♯ Major | 3 | 2B | 90 BPM | ||
| The Road Home | Stephen Paulus, Conspirare, Craig Hella Johnson | F Major | 1 | 7B | 99 BPM | ||
| Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | E Minor | 0 | 9A | 138 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM |