"バレエ組曲「くるみ割り人形」 d. アラビアの踊り" by Berliner Philharmoniker, ニューフィルハーモニア管弦楽団 had its release date on April 16, 2022. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in チャイコフスキー バレエ組曲「くるみ割り人形」「眠りの森の美女」, so we believe that "バレエ組曲「くるみ割り人形」 d. アラビアの踊り" is a single. バレエ組曲「くるみ割り人形」 d. アラビアの踊り is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of バレエ組曲「くるみ割り人形」 d. アラビアの踊り by Berliner Philharmoniker, ニューフィルハーモニア管弦楽団 is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 組曲仮面舞踏会 5. ギャロップ | Aram Khachaturian, 山田和樹, Czech Philharmonic Orchestra | B♭ Major | 5 | 6B | 151 BPM | ||
| ヨハン・シュトラウスII世: オペレッタ《こうもり》 序曲 | Johann Strauss II, Václav Neumann, Czech Philharmonic Chamber Orchestra | D Major | 2 | 10B | 88 BPM | ||
| Harty: Water Music Suite (After Handel): V. Andante espressivo | George Frideric Handel, Herbert von Karajan, Berliner Philharmoniker | D Major | 2 | 10B | 105 BPM | ||
| Petrouchka: Valse la ballerine et le maure | Ferenc Fricsay, Berliner Philharmoniker | F♯ Major | 3 | 2B | 149 BPM | ||
| Mozart: 6 German Dances, K. 509: No. 1 in D Major | Wolfgang Amadeus Mozart, Sir Charles Mackerras, Pro Arte Orchestra | C Major | 2 | 8B | 136 BPM | ||
| シベリウス: トゥオネラの白鳥 | Jean Sibelius, 渡邉曉雄, Japan Philharmonic Orchestra | A Minor | 0 | 8A | 73 BPM | ||
| 交響曲第3番ヘ長調作品90 第1楽章:アレグロ・コン・ブリオ | ベルリン フィルハーモニー管弦楽団 | C Major | 3 | 8B | 120 BPM | ||
| Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Poco adagio | Gustav Mahler, Los Angeles Philharmonic, Gustavo Dudamel | B♭ Minor | 0 | 3A | 69 BPM | ||
| Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | C Minor | 0 | 5A | 130 BPM | ||
| ドヴォルザーク:交響曲第8番 ト長調 作品88;第4楽章 アレグロ・マ・ノン・トロッポ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 124 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: XIII. Auf dem Gipfel | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | C Major | 2 | 8B | 95 BPM | ||
| スッペ: 劇音楽《詩人と農夫》 序曲 | Franz von Suppé, Václav Neumann, Czech Philharmonic Chamber Orchestra | B Minor | 1 | 10A | 90 BPM | ||
| Petrouchka: Chez Petrouchka | Ferenc Fricsay, Berliner Philharmoniker | E Minor | 3 | 9A | 89 BPM | ||
| Smetana: Má Vlast: No. 2, Vltava "Die Moldau", Pt. 7 | Bedřich Smetana, André Cluytens, Wiener Philharmoniker | D♭ Major | 1 | 3B | 81 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): IV. Act V. Opening - Conclusion | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 126 BPM | ||
| Pirogov Suite, Op. 76a (Arr. L. Atovmyan for Orchestra): V. Finale | Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich | E♭ Major | 2 | 5B | 107 BPM | ||
| Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse) | Hector Berlioz, Leonard Bernstein, Orchestre National De France | C Major | 1 | 8B | 85 BPM | ||
| Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| 交響詩《ローマの祭り》 主顕祭 | Ottorino Respighi, Yutaka Sado, 兵庫芸術文化センター管弦楽団 | D Major | 5 | 10B | 116 BPM | ||
| Rund um die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra, Alfred Walter | C Major | 2 | 8B | 136 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| バレエ組曲「白鳥の湖」~スペインの踊り(チャイコフスキー) | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | F♯ Minor | 4 | 11A | 147 BPM | ||
| Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Mikhail Krutikov | B♭ Major | 1 | 6B | 153 BPM |