"Смех и слёзы, D. 777" by Франц Шуберт, Михаил Коллонтай, Ольга Седельникова had its release date on 1993. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Глинка, Варламов, Шуман, Шуберт, Вольф, so we believe that "Смех и слёзы, D. 777" is a single. The popularity of Смех и слёзы, D. 777 is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Смех и слёзы, D. 777 by Франц Шуберт, Михаил Коллонтай, Ольга Седельникова is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S.Pinafore: Never mind the why and wherefore | Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | B Major | 3 | 1B | 137 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 132 BPM | ||
| Литания ми-бемоль мажор | Франц Шуберт, Ференц Лист, Владимир Софроницкий | D Minor | 2 | 7A | 86 BPM | ||
| Schwanengesang, D.957: Der Atlas | Franz Schubert, Dietrich Fischer-Dieskau, Alfred Brendel | E Major | 0 | 12B | 108 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Komm! Hebe dich zu höhern Sphären! | Gustav Mahler, Marta Boberska, Timothy Bentch, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E♭ Major | 1 | 5B | 85 BPM | ||
| Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
| Teil 9 - Folge 38: Professor van Dusen und die blutige Botschaft | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Klaus Sonnenschein, Moritz Milar, Liane P. Rudolph, Otto Czarski, Susanne Lüpertz, Helmut Ahner, Klaus Jepsen | E♭ Major | 3 | 5B | 113 BPM | ||
| Die Dreigroschenoper: Akt II, Das Eifersuchtsduett ("Komm heraus, du Schönheit von Soho!") | Kurt Weill, Wolfgang Neuss, Johanna von Koczian, Inge Wolffberg, Wilhelm Brückner-Rüggeberg | C Major | 2 | 8B | 119 BPM | ||
| Двенадцать вальсов, семнадцать лендлеров и девять экосезов, соч. 18, D. 145: No. 2 си мажор | Франц Шуберт, Вера Горностаева | B Major | 1 | 1B | 98 BPM | ||
| Serenata napoletana | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | D Major | 2 | 10B | 77 BPM | ||
| Trial by Jury: Is This the Court of the Exchequer? | Gilbert & Sullivan Society of Houston | D Minor | 2 | 7A | 120 BPM | ||
| Lydia | Gabriel Fauré, Sarah Walker, Tom Krause, Malcom Martineau | F Major | 1 | 7B | 144 BPM | ||
| Petite messe solennelle: XVIII. Agnus Dei | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, José Maria Lo Monaco, Francesco Corti, Cristiano Gaudio, Deniel Perer | D Major | 1 | 10B | 91 BPM | ||
| Monte Carmelo: "Habanera" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Pepita Rollán, Gran Orquest Sinfónica del Teatro Calderón de Madrid | E♭ Major | 4 | 5B | 172 BPM | ||
| Marechiaro | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | D Major | 2 | 10B | 77 BPM | ||
| Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Peter Schreier, Walter Olbertz | D Major | 1 | 10B | 93 BPM | ||
| Stabat Mater, FP 148: X. Fac ut portem Christi mortem | Francis Poulenc, Carolyn Sampson, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | D♭ Minor | 1 | 12A | 81 BPM | ||
| Deux romances, L. 79: No. 2, Les cloches | Dilyana Georgieva, Galina Apostolova | D♭ Minor | 2 | 12A | 87 BPM | ||
| ミ・マンキ | Berlincioni Fabrizio, Kohei Yamamoto | B Major | 4 | 1B | 116 BPM | ||
| Lieder (Duette), Op. 63: II. Abschiedslied der Zugvögel | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney, Malcolm Martineau | E♭ Major | 1 | 5B | 167 BPM | ||
| Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | B Major | 4 | 1B | 116 BPM | ||
| Glückwunsch eines Enfant terrible | Edmund Nick, Constance Heller, Gerold Huber | F Minor | 1 | 4A | 82 BPM | ||
| My Lovely Celia | David Lloyd | A♭ Major | 0 | 4B | 85 BPM | ||
| Imagination Is Everything | DePaul Osaze | D♭ Major | 3 | 3B | 152 BPM | ||
| Winterreise, D. 911: No. 15, Die Krähe | Franz Schubert, Thomas Quasthoff, Charles Spencer | D Major | 1 | 10B | 145 BPM |