- BPM
- 137
- Key
- B Major
- Camelot
- 1B
H.M.S.Pinafore: Never mind the why and wherefore by Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey Song Details
Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's ' "H.M.S.Pinafore: Never mind the why and wherefore" was released on its scheduled release date, January 1, 1973. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. H.M.S.Pinafore: Never mind the why and wherefore's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The World of Gilbert & Sullivan". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, H.M.S.Pinafore: Never mind the why and wherefore's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
With H.M.S.Pinafore: Never mind the why and wherefore by Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 7%
- Loudness
- -16.86 dB
- Acousticness
- 86%
- Danceability
- 56%
- Energy
- 30%
- Instrumentalness
- 0%
- Liveness
- 24%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 63%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stabat Mater, FP 148: 11. Inflammatus et accensus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 2 | 1A | 86 BPM | |
 | Offenbach: Orphée aux enfers, Act 2: Chœur infernal. "Vive le vin ! Vive Pluton !" (Chœur) | Jacques Offenbach, Marc Minkowski, Chœur de l’Opéra de Lyon, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de Lyon | C Major | 4 | 8B | 87 BPM | |
 | The Mikado / Act 1: 3. A wand'ring minstrel I | Arthur Sullivan, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | F Major | 2 | 7B | 90 BPM | |
 | No. 5, Ev'ry Time I Feel the Spirit | John Rutter, Melanie Marshall, The Cambridge Singers, BBC Concert Orchestra | E Major | 0 | 12B | 117 BPM | |
 | Trial by Jury: Chorus with Solo. All Hail, Great Judge! | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Stuart | D Major | 2 | 10B | 70 BPM | |
 | Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | |
 | The Medium, Act I: "the Sun has fallen" (Monica) | Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 0 | 6A | 72 BPM | |
 | Songs of Travel: Whither Must I Wander? | Ralph Vaughan Williams, David John Pike, Isabelle Trüb | E Major | 3 | 12B | 92 BPM | |
 | Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | |
 | Sullivan: The Mikado or The Town of Titipu, Act 1: No. 9, Duet, "Were you not to Ko-Ko plighted" (Nanki-Poo, Yum-Yum) | Arthur Sullivan, Richard Lewis/Elsie Morison/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | F Major | 1 | 7B | 81 BPM | |
 | Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | |
 | Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | |
 | The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | |
 | Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 1 | 8B | 121 BPM | |
 | Boito: Mefistofele, Prologue: "Ave, Signor degli angeli e dei santi" (Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, London Symphony Orchestra | E Major | 1 | 12B | 86 BPM | |
 | Eugene Onegin (Lyrical scenes in three acts) (Act 1): Duet and Quartet; Tatyana: Have you heard beyond the grove | Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra | G Minor | 1 | 6A | 67 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | |
 | Sighing Softly to the River | The Pirates Of Penzance | F Major | 2 | 7B | 125 BPM | |
 | Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 1: IVb-d. I Can No More – Rescue Him, O Lord – Novissima hora est | Edward Elgar, David Butt Philip, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | C Major | 1 | 8B | 121 BPM | |
 | Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | |
 | H.M.S. Pinafore, Act II: Duet. Things Are Seldom What They Seem | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Thomas Allen, Felicity Palmer | C Major | 1 | 8B | 100 BPM | |
 | Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | |
 | Rossini: Petite messe solennelle: XIV. Sanctus - Benedictus | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 106 BPM | |
 | Trial by Jury: May it please you, m'lud! (Counsel, Plaintiff, Judge, Foreman, Usher, Defendant, Chorus) | Arthur Sullivan, Richard Hickox, BBC National Orchestra Of Wales, Matthew Brook, Rebecca Evans, Donald Maxwell, David Thaxton, Neal Davies, James Gilchrist | F Major | 1 | 7B | 107 BPM |
- ISRC
- GBBBA5950110
- Label
- L-M Records/RCA Records