"Ending Credits" by Toru Takemitsu had its release date on September 30, 2016. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Ran (Original Motion Picture Soundtrack)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Ending Credits's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ending Credits by Toru Takemitsu having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 86 BPM | ||
| Satie: Mélodie | Erik Satie, Alexandre Tharaud, Nemanja Radulović | F Minor | 1 | 4A | 89 BPM | ||
| Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | F Minor | 1 | 4A | 83 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | ||
| Marimba Concerto: I. Flowing | Kevin Puts, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop | E♭ Major | 2 | 5B | 125 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | ||
| 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | ||
| Ending Credits | Toru Takemitsu | F Major | 1 | 7B | 125 BPM | ||
| Sonata in A Major, K. 323 - Bonus Track | Domenico Scarlatti, Sarah O'Brien | D Major | 5 | 10B | 140 BPM | ||
| Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) | Darius Milhaud, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 99 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| Musical Toys: 6. Song of the fisherman | Sofia Gubaidulina, Claire-Marie Le Guay | G Minor | 0 | 6A | 66 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| Quarteto de flautas n.º 3: Caminhos lindos | Andrea Ernest Dias, Carlos Malta, Aline Gonçalves, Eduardo Neves | A♭ Major | 1 | 4B | 100 BPM | ||
| 4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
| And Birds Are Still . . ., Op. 72 | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata | G Major | 1 | 9B | 75 BPM |