2 Choruses, Op. 8: II. Let Down the Bars, O Death by Samuel Barber, Polyphony, Stephen Layton Song Details

"2 Choruses, Op. 8: II. Let Down the Bars, O Death" by Samuel Barber, Polyphony, Stephen Layton had its release date on June 28, 2015. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 2 Choruses, Op. 8: II. Let Down the Bars, O Death's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 21 in American Polyphony: Barber, Copland, Bernstein, R. Thompson by Polyphony, Randall Thompson, Stephen Layton, Samuel Barber, Leonard Bernstein, Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 2 Choruses, Op. 8: II. Let Down the Bars, O Death is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of 2 Choruses, Op. 8: II. Let Down the Bars, O Death by Samuel Barber, Polyphony, Stephen Layton is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -20.43 dB
Acousticness: 98%
Danceability: 14%
Energy: 12%
Instrumentalness: 46%
Liveness: 16%
Loudness: 66%
Speechiness: 4%
Valence: 3%

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