"5 Ballades Françaises: IV. Songe d’une nuit d’été" by Andre Caplet, Roderick Williams, Roger Vignoles had its release date on January 21, 2022. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. 5 Ballades Françaises: IV. Songe d’une nuit d’été's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Roderick Williams, Roger Vignoles's "Mirages: The Art of French Song" album is number 8 out of 32. On top of that, United Kingdom appears to be the country where this track was created. 5 Ballades Françaises: IV. Songe d’une nuit d’été is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 5 Ballades Françaises: IV. Songe d’une nuit d’été by Andre Caplet, Roderick Williams, Roger Vignoles to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade Lyrique | Edward Elgar, English Symphony Orchestra, William Boughton | E♭ Minor | 1 | 2A | 75 BPM | ||
| Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
| Dolly Suite, Op. 56: V. Tendresse | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Major | 0 | 3B | 133 BPM | ||
| Feldeinsamkeit | Johannes Brahms, Fabio Di Casola | G Minor | 1 | 6A | 124 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Beni Mora - Oriental Suite H107 (Op. 29 No. 1) (2004 - Remaster): Second Dance (Allegretto) | Gustav Holst, Sir Malcolm Sargent, BBC Symphony Orchestra | E Minor | 1 | 9A | 134 BPM | ||
| Trois fables de La Fontaine pour voix et ensemble: Le Loup et l'Agneau | Takénori Némoto, Andre Caplet, Laurent Deleuil, Ensemble Musica Nigella | A Minor | 2 | 8A | 81 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Un tas de petites choses: IV. Une petite marche bien française | Andre Caplet, Antony Gray, Denzel Manyande | D♭ Minor | 1 | 12A | 107 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Le miroir de Jesus, mysteres du Rosaire: Miroir de gloire: Assomption | Andre Caplet, Brigitte Desnoues, Denis Dupays, Maîtrise de Radio France, Orchestre des Pays de Savoie, Mark Foster | D Major | 1 | 10B | 86 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| Symphony No. 1, GMW 11: IIIa. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Ravel: Valses nobles et sentimentales, M. 61: No. 4, Assez animé | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | E Major | 0 | 12B | 90 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Concerto For Oboe And Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | E Minor | 2 | 9A | 91 BPM | ||
| Ravel: Valses nobles et sentimentales, M. 61: No. 7, Moins vif | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | E Minor | 1 | 9A | 112 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): V. Tendresse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Siren: Lilacs, Op. 21, No. 5 | Sergei Rachmaninoff, Vladimir Ashkenazy | A Major | 1 | 11B | 130 BPM | ||
| Quantum Flow | Jarko Vento | G Major | 3 | 9B | 121 BPM | ||
| Trys Preliudai I | Mikalojus Konstantinas Čiurlionis, Arvydas Malcys | A Minor | 1 | 8A | 78 BPM | ||
| Delius: Irmelin, Prelude for Orchestra, RT VI/27 | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | D Major | 1 | 10B | 87 BPM |