"I Sing To You (A Souvenir)" by Eric Coates, Light Symphony Orchestra had its release date on June 6, 2025. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 132 in the song's album "The Definitive Eric Coates". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, I Sing To You (A Souvenir)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Sing To You (A Souvenir) by Eric Coates, Light Symphony Orchestra having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
| Rachmaninoff: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, San Francisco Symphony, Michael Tilson Thomas | A Minor | 1 | 8A | 76 BPM | ||
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
| Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Brook Green Suite: Air | Gustav Holst, Royal Ballet Sinfonia, David Lloyd-Jones | E Minor | 1 | 9A | 78 BPM | ||
| Much Ado About Nothing, Op. 11, Suite: IV. Intermezzo "Garden Scene" (Arr. Spindler for Violin & Orchestra) | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | B♭ Major | 1 | 6B | 173 BPM | ||
| Rhapsody Under A High Sky | Archibald James Potter, RTE Sinfonietta, Proinnsias O'Duinn | C Major | 1 | 8B | 106 BPM | ||
| Il carnevale di Venezia, Op. 78 | Giulio Briccialdi, James Galway, National Philharmonic Orchestra, Charles Gerhardt | C Major | 1 | 8B | 87 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | ||
| London: III. March "Knightsbridge" | Eric Coates, John Wilson, BBC Philharmonic | A♭ Major | 1 | 4B | 85 BPM | ||
| 3 Gymnopédies: No. 1, Lent et douloureux (Arr. for Clarinet & Orchestra by John Rutter) | Erik Satie, John Rutter, Manchester Camerata, Daniel Bayley | E Minor | 1 | 9A | 80 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
| Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land | Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper | A Major | 0 | 11B | 69 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| Fantasia on Greensleeves (Arr. R. Greaves for Orchestra) | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 108 BPM |