Christopher Simpson, Trio Settecento's 'Little Consort, Suite in G Minor-Major: V. Alman' had a release date set for October 2, 2012. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 29 in An English Fancy by Trio Settecento. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Little Consort, Suite in G Minor-Major: V. Alman's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Little Consort, Suite in G Minor-Major: V. Alman by Christopher Simpson, Trio Settecento is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
| Duets for 2 Lutes in a minor and F Major (Losy) - Gavotte | Edward Martin and Paul Berget | B Major | 1 | 1B | 111 BPM | ||
| Matachin | Gaspar Sanz, Pierre Pitzl | F Major | 0 | 7B | 133 BPM | ||
| Canzoni da suonare, Op. 17: No. 18, La Cavagliera | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Première suite à 3 violes in D Major: No. 9, Rondeau | Marin Marais, François Joubert-Caillet, L'Achéron | F Major | 1 | 7B | 122 BPM | ||
| Pièces de Viole avec la Basse Continue, Suite en do mineur: La Montigni | Antoine Forqueray, Johanna Rose, Javier Nuñez | B Minor | 1 | 10A | 110 BPM | ||
| An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 120 BPM | ||
| Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
| L’ombre d'un doute: I. Fanfare | Philippe Hersant, Lucile Boulanger | F♯ Minor | 0 | 11A | 47 BPM | ||
| Sonata a 4 in D Major, WoO 4: III. Grave | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward Tarr | B♭ Minor | 0 | 3A | 76 BPM | ||
| Mystery Sonata No. 14 "The Assumption of the Virgin": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Suite in A Major: VI. Canaries | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Pauin (no.15) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | A♭ Major | 1 | 4B | 166 BPM | ||
| Sonata in F Major, TWV 40:103: III. Largo | Georg Philipp Telemann, Michala Petri | G Major | 1 | 9B | 83 BPM | ||
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| 4 Fantasia-Suites, "The 4 Seasons", Autumne: II. Ayre | Christopher Simpson, Réjean Poirier, Jay Bernfeld, Mike Fentross, Les Voix Humaines | B Major | 0 | 1B | 110 BPM | ||
| Viola da Gamba Suite in D Major: VI. Adagio | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 94 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Couperin, L: Carillons, G. 141 | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | F Minor | 3 | 4A | 87 BPM | ||
| Sonata II in G Minor, HWV 387, Op. 2 No. 2: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Suite Premiere - Vi. Marche Espagnole (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Minor | 2 | 2A | 133 BPM | ||
| Sonate concertate a due e tre voci, Book 1: No. 18, Sonata sopra "La novella" | Giuseppe Scarini, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
| Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM |