Orff: Carmina Burana, Introduction "Fortuna Imperatrix Mundi": Fortune plango vulnera by Carl Orff, Riccardo Muti, Philharmonia Chorus, Philharmonia Orchestra Song Details

"Orff: Carmina Burana, Introduction "Fortuna Imperatrix Mundi": Fortune plango vulnera" by Carl Orff, Riccardo Muti, Philharmonia Chorus, Philharmonia Orchestra had its release date on 1980. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Orff: Carmina Burana, Introduction "Fortuna Imperatrix Mundi": Fortune plango vulnera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina burana". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Orff: Carmina Burana, Introduction "Fortuna Imperatrix Mundi": Fortune plango vulnera's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Orff: Carmina Burana, Introduction "Fortuna Imperatrix Mundi": Fortune plango vulnera by Carl Orff, Riccardo Muti, Philharmonia Chorus, Philharmonia Orchestra having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.

Music Key

B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 5%
Loudness: -20.93 dB
Acousticness: 97%
Danceability: 30%
Energy: 11%
Instrumentalness: 87%
Liveness: 11%
Loudness: 65%
Speechiness: 5%
Valence: 9%

Recommendations

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Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction	Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt	C Major	2	8B	82 BPM
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"	Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge	D Major	1	10B	82 BPM
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Carmina Burana: O Fortuna	Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop	D Minor	2	7A	136 BPM
Pagliacci / Act 1: "Recitar!...Vesti la giubba"	Ruggero Leoncavallo, Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè	E Major	2	12B	83 BPM
Requiem, K. 626: Lacrimosa	Wolfgang Amadeus Mozart, Michael Finnissy, Academy of Ancient Music, Stephen Cleobury, Choir of King's College, Cambridge	D Minor	1	7A	132 BPM
Toccata and Fugue in d monor, BWV 565	London Pops Orchestra, Nelson Corbin	D Minor	2	7A	68 BPM
Toccata & Fugue in D Minor, BWV 565: II. Fugue	Johann Sebastian Bach, Simon Preston	D Minor	2	7A	91 BPM
Carmina Burana: XIII. Ego sum abbas	Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum	B♭ Minor	3	3A	108 BPM
The Flower Duet (From "Lakmé")	Katherine Jenkins, Kiri Te Kanawa, Philharmonia Orchestra, Anthony Inglis	B Major	3	1B	102 BPM
Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness	Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado	C Major	3	8B	118 BPM
Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis	Carl Orff, Riccardo Muti, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra	A♭ Major	2	4B	84 BPM
Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 3, Moderato religioso	Jean François Lesueur, Chorus Musicus Das Neue Orchester, Christoph Spering	G Major	0	9B	156 BPM
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo	Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend	B Minor	2	10A	105 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	1	12B	82 BPM
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna"	Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus	D Minor	2	7A	135 BPM
Palladio: I. Allegretto	Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra	D Minor	3	7A	90 BPM
Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod"	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	E♭ Major	0	5B	79 BPM
Danse macabre, Op. 40	Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist	G Minor	1	6A	102 BPM
Concert Grosso for String Orchestra "Palladio": Allegretto	Karl Jenkins, Ara Malikian	D Minor	4	7A	88 BPM
El Amor Brujo: Danza ritual del fuego	Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande	E Minor	1	9A	135 BPM
Symphony No. 7 in A Major, Op. 92: II. Allegretto	Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti	E Minor	1	9A	141 BPM