Subliminal Fragment Part 1 Of 5 - Truncate Remix
Mark Williams, Truncate
From Past To The Present
5:04 January 12, 2024
BPM
140
Key
F Minor
Camelot
4A

Embed

Share Link

Subliminal Fragment Part 1 Of 5 - Truncate Remix by Mark Williams, Truncate Song Details

"Subliminal Fragment Part 1 Of 5 - Truncate Remix" by Mark Williams, Truncate had its release date on January 12, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 5 in From Past To The Present by Mark Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Subliminal Fragment Part 1 Of 5 - Truncate Remix's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of Subliminal Fragment Part 1 Of 5 - Truncate Remix by Mark Williams, Truncate is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-7.656 dB
Acousticness
0%
Danceability
54%
Energy
90%
Instrumentalness
77%
Liveness
10%
Loudness
87%
Speechiness
7%
Valence
8%

Recommendations

TrackArtistKeyEnergyCamelotBPM
As One Who Has Slept by John Tavener, The Choir of Magdalen College, Oxford, Mark WilliamsAs One Who Has SleptJohn Tavener, The Choir of Magdalen College, Oxford, Mark WilliamsE Minor19A67 BPM
Fiddles on Fire - Live by Mark Williams, Ohio Music Education Association District 13 Prelude Honor OrchestraFiddles on Fire - LiveMark Williams, Ohio Music Education Association District 13 Prelude Honor OrchestraE Minor19A67 BPM
5 Bagatelles for clarinet and piano, Op. 23: 1. Prelude - Allegro deciso by Gerald Finzi, Emma Johnson, Malcolm Martineau5 Bagatelles for clarinet and piano, Op. 23: 1. Prelude - Allegro decisoGerald Finzi, Emma Johnson, Malcolm MartineauC Major18B81 BPM
The Good Shepherd by Mark WilliamsThe Good ShepherdMark WilliamsG Major29B108 BPM
Hail, Gladdening Light by Charles Wood, The Choir of Magdalen College, Oxford, Mark WilliamsHail, Gladdening LightCharles Wood, The Choir of Magdalen College, Oxford, Mark WilliamsD Major110B83 BPM
Capriol Suite: V. Pieds-en-l'air by Peter Warlock, Büyükada Ensemble, James RossCapriol Suite: V. Pieds-en-l'airPeter Warlock, Büyükada Ensemble, James RossG Major29B142 BPM
Mass of the Americas: I. El cantico del alba by Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard SparksMass of the Americas: I. El cantico del albaFrank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard SparksB♭ Minor23A73 BPM
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con motoFranz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata SalzburgA Major011B80 BPM
Come To Me by Mark WilliamsCome To MeMark WilliamsG Major29B72 BPM
Mass in E-Flat Major, Op. 109 Mass in E-Flat Major, Op. 109 "Cantus Missae": I. KyrieJosef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder BerniusE♭ Major15B66 BPM
Lo, the full, final sacrifice, Op.26: Amen by Gerald Finzi, Choir of New College, Oxford, Edward HigginbottomLo, the full, final sacrifice, Op.26: AmenGerald Finzi, Choir of New College, Oxford, Edward HigginbottomE Major112B69 BPM
Love Divine, All Love Excelling by William P. Rowlands, John Scott, Charles Wesley, The Choir of Magdalen College, Oxford, Mark WilliamsLove Divine, All Love ExcellingWilliam P. Rowlands, John Scott, Charles Wesley, The Choir of Magdalen College, Oxford, Mark WilliamsE♭ Major25B88 BPM
Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c by Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, OxfordThou Knowest, Lord, the Secrets of Our Hearts, Z. 58cHenry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, OxfordE♭ Major15B130 BPM
Miserere nostri, Domine: Miserere nostri, Domine by Thomas Tallis, Stile AnticoMiserere nostri, Domine: Miserere nostri, DomineThomas Tallis, Stile AnticoF Minor04A62 BPM
Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight by Thomas Tallis, The Tallis Scholars, Peter PhillipsTallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fightThomas Tallis, The Tallis Scholars, Peter PhillipsB Minor110A191 BPM
Mille regretz by Josquin des Prez, Stile AnticoMille regretzJosquin des Prez, Stile AnticoF♯ Minor111A86 BPM
The Spacious Firmament by John Sheeles, Joseph Addison, The Choir of Magdalen College, Oxford, Mark WilliamsThe Spacious FirmamentJohn Sheeles, Joseph Addison, The Choir of Magdalen College, Oxford, Mark WilliamsE♭ Major25B88 BPM
Can We Sing the Darkness to Light? by Kyle Pederson, Transept, Timothy J. Campbell, Paul Sánchez, Doosook Kim, Robert ErhardtCan We Sing the Darkness to Light?Kyle Pederson, Transept, Timothy J. Campbell, Paul Sánchez, Doosook Kim, Robert ErhardtD♭ Major13B80 BPM
Ave, dulcissima Maria by Carlo Gesualdo, The Monteverdi Choir, Jonathan SellsAve, dulcissima MariaCarlo Gesualdo, The Monteverdi Choir, Jonathan SellsD Minor27A74 BPM
Insanae et vanae curae by Joseph Haydn, Choir of New College, Oxford, New Century Baroque, Edward HigginbottomInsanae et vanae curaeJoseph Haydn, Choir of New College, Oxford, New Century Baroque, Edward HigginbottomD♭ Minor112A122 BPM
The Last Words of David by Randall Thompson, Atlanta Master ChoraleThe Last Words of DavidRandall Thompson, Atlanta Master ChoraleG Major09B94 BPM
I Will Sing and Raise a Psalm by Libby Larsen, The Choir of Magdalen College, Oxford, Romain Bornes, Mark WilliamsI Will Sing and Raise a PsalmLibby Larsen, The Choir of Magdalen College, Oxford, Romain Bornes, Mark WilliamsE♭ Major25B85 BPM
Tale of Tails by Kenneth Eberhard, Jeffrey Lippencott, Mark WilliamsTale of TailsKenneth Eberhard, Jeffrey Lippencott, Mark WilliamsA Minor28A115 BPM
Dixit in Corde Suo by Stellenbosch University ChoirDixit in Corde SuoStellenbosch University ChoirD♭ Major33B92 BPM
Swashbuckler's March - Live by Mark Williams, Dorothy Hamm Middle School Wind Symphony, Katherine HanckelSwashbuckler's March - LiveMark Williams, Dorothy Hamm Middle School Wind Symphony, Katherine HanckelE Major412B71 BPM
ISRC
GBLV62312148
Label
L-M Records/RCA Records