"Subliminal Fragment Part 1 Of 5 - Truncate Remix" by Mark Williams, Truncate had its release date on January 12, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 5 in From Past To The Present by Mark Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Subliminal Fragment Part 1 Of 5 - Truncate Remix's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Subliminal Fragment Part 1 Of 5 - Truncate Remix by Mark Williams, Truncate is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| As One Who Has Slept | John Tavener, The Choir of Magdalen College, Oxford, Mark Williams | E Minor | 1 | 9A | 67 BPM | ||
| Fiddles on Fire - Live | Mark Williams, Ohio Music Education Association District 13 Prelude Honor Orchestra | E Minor | 1 | 9A | 67 BPM | ||
| 5 Bagatelles for clarinet and piano, Op. 23: 1. Prelude - Allegro deciso | Gerald Finzi, Emma Johnson, Malcolm Martineau | C Major | 1 | 8B | 81 BPM | ||
| The Good Shepherd | Mark Williams | G Major | 2 | 9B | 108 BPM | ||
| Hail, Gladdening Light | Charles Wood, The Choir of Magdalen College, Oxford, Mark Williams | D Major | 1 | 10B | 83 BPM | ||
| Capriol Suite: V. Pieds-en-l'air | Peter Warlock, Büyükada Ensemble, James Ross | G Major | 2 | 9B | 142 BPM | ||
| Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Come To Me | Mark Williams | G Major | 2 | 9B | 72 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 66 BPM | ||
| Lo, the full, final sacrifice, Op.26: Amen | Gerald Finzi, Choir of New College, Oxford, Edward Higginbottom | E Major | 1 | 12B | 69 BPM | ||
| Love Divine, All Love Excelling | William P. Rowlands, John Scott, Charles Wesley, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 88 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
| Miserere nostri, Domine: Miserere nostri, Domine | Thomas Tallis, Stile Antico | F Minor | 0 | 4A | 62 BPM | ||
| Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight | Thomas Tallis, The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 191 BPM | ||
| Mille regretz | Josquin des Prez, Stile Antico | F♯ Minor | 1 | 11A | 86 BPM | ||
| The Spacious Firmament | John Sheeles, Joseph Addison, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 88 BPM | ||
| Can We Sing the Darkness to Light? | Kyle Pederson, Transept, Timothy J. Campbell, Paul Sánchez, Doosook Kim, Robert Erhardt | D♭ Major | 1 | 3B | 80 BPM | ||
| Ave, dulcissima Maria | Carlo Gesualdo, The Monteverdi Choir, Jonathan Sells | D Minor | 2 | 7A | 74 BPM | ||
| Insanae et vanae curae | Joseph Haydn, Choir of New College, Oxford, New Century Baroque, Edward Higginbottom | D♭ Minor | 1 | 12A | 122 BPM | ||
| The Last Words of David | Randall Thompson, Atlanta Master Chorale | G Major | 0 | 9B | 94 BPM | ||
| I Will Sing and Raise a Psalm | Libby Larsen, The Choir of Magdalen College, Oxford, Romain Bornes, Mark Williams | E♭ Major | 2 | 5B | 85 BPM | ||
| Tale of Tails | Kenneth Eberhard, Jeffrey Lippencott, Mark Williams | A Minor | 2 | 8A | 115 BPM | ||
| Dixit in Corde Suo | Stellenbosch University Choir | D♭ Major | 3 | 3B | 92 BPM | ||
| Swashbuckler's March - Live | Mark Williams, Dorothy Hamm Middle School Wind Symphony, Katherine Hanckel | E Major | 4 | 12B | 71 BPM |