Mark Williams's ' "The Good Shepherd" was released on its scheduled release date, January 1, 2003. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mark Crawford Williams's "Hold On" album is number 6 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Good Shepherd is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Good Shepherd by Mark Williams to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata | Charles-Marie Widor, Bertalan Hock | F Major | 2 | 7B | 105 BPM | ||
| Legend of the Alhambra - Live | Mark Williams, Robinson Concert Band, Judy Einuis | A Minor | 1 | 8A | 71 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| A Hymne to Christ | Imogen Holst, John Donne, The Choir of Magdalen College, Oxford, Mark Williams | D Major | 1 | 10B | 83 BPM | ||
| Passacaglia | Constanze Hochwartner | A Minor | 0 | 8A | 67 BPM | ||
| 8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
| O Lord My God (How Great Thou Art) | Carl Boberg, Stuart K. Hine, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 88 BPM | ||
| Thou, O God, Art Praised | Malcolm Boyle, The Choir of Magdalen College, Oxford, Alexander Pott, Mark Williams | E♭ Major | 2 | 5B | 109 BPM | ||
| Cry Out and Shout | Knut Nystedt, Stella, Solvieg Agren's Chamber Choir, Solvieg Agren | G Minor | 1 | 6A | 104 BPM | ||
| Venus, the Bringer of Peace (From The Planets, Op. 32) - Arr. For Trombone & Organ | Gustav Holst, Peter Steiner, Constanze Hochwartner | C Major | 1 | 8B | 89 BPM | ||
| Salvation Is Created (Arr. B. Houseknecht) | Pavel Chesnokov, Rutgers Wind Ensemble | F Major | 1 | 7B | 77 BPM | ||
| The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
| Messe Solennelle: Kyrie | Louis Vierne, The Choir of Canterbury Cathedral, David Flood | F Major | 1 | 7B | 170 BPM | ||
| Hail, Gladdening Light | Charles Wood, The Choir of Magdalen College, Oxford, Mark Williams | D Major | 1 | 10B | 83 BPM | ||
| Organoedia ad missam lectam, K. 186: V. Sanctus | Zoltán Kodály, Iain Quinn | A Major | 0 | 11B | 68 BPM | ||
| English Dances, Set 2, Op. 33: No. 2. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 4 | 8B | 142 BPM | ||
| Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight | Thomas Tallis, The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 191 BPM | ||
| Parce mihi, Domine a 8 | Francisco Garro, Cupertinos, Luís Toscano | F Major | 0 | 7B | 79 BPM | ||
| Kodály: Mountain Nights: No. 1, Andantino | Zoltán Kodály, Ilona Andor, Kodaly Girls Choir | F Major | 0 | 7B | 79 BPM | ||
| Carry Us | Mark Williams | E Major | 4 | 12B | 71 BPM | ||
| Guide Me, O Thou Great Redeemer | John Hughes, Malcolm Archer, William Williams, Peter Williams, The Choir of Magdalen College, Oxford, Mark Williams | G Major | 1 | 9B | 86 BPM | ||
| Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
| Knock Out - Mark Williams Remix | Audioklinik, Mark Williams | G Major | 7 | 9B | 138 BPM | ||
| Sicut cervus | Giovanni Pierluigi da Palestrina, Choir of New College, Oxford, Robert Quinney | A♭ Major | 1 | 4B | 78 BPM | ||
| The Isle Is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 69 BPM |