Devender Pathak's ' "Aao Hari Ji More Angna" was released on its scheduled release date, January 20, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Aao Hari Ji More Angna and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Aao Hari Ji More Angna's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aao Hari Ji More Angna by Devender Pathak is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sai Bharose Mera Parivar | Kapil Vyas | A♭ Minor | 8 | 1A | 86 BPM | ||
| Mera Dil To Deewana Ho Gaya Re | Manoj Sharma Gwalior | A♭ Major | 8 | 4B | 89 BPM | ||
| Jo Ram Naam Gud Gayega | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Sun Soniyan Jatavan Waleya | Karnail Rana | B♭ Major | 8 | 6B | 102 BPM | ||
| Tu Satya Ki Jyot Jaga Ley | Bhagat Ramniwas Ji | A♭ Major | 6 | 4B | 133 BPM | ||
| Madhur Rasilo Naam Hamari Radha Rani Ko | Sadhvi Purnima Ji | D Minor | 10 | 7A | 140 BPM | ||
| Halaat | Sanjay Mittal | E♭ Major | 6 | 5B | 110 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| Tohre Sevekwa Maiya | Bharat Sharma Vyas | C Minor | 7 | 5A | 159 BPM | ||
| Aao Hari Ji More Angna | Devender Pathak | C Major | 8 | 8B | 132 BPM | ||
| Khatu Wale Shyam Kas Ke Pakad Lo Mera Hath | Raju Mehra | F Minor | 7 | 4A | 148 BPM | ||
| Laga Ke Aas Main Baitha Hoon | Rajesh Chandra | D♭ Major | 8 | 3B | 141 BPM | ||
| Wafa o mehr e Hosla | Minhaj Mukhtar, Mir Ahmed Baloch | E Major | 6 | 12B | 57 BPM | ||
| Apno Braj Dekhan Ko Aaye Jaiyo | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Are Logo Tumhara Kya | Sadhhwi Purnima Ji | B Major | 7 | 1B | 150 BPM | ||
| Kahan Kho Gaya Manka Meet | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| Din Rat Tu Parani Pap Kare - Hindi | Parmod Kumar | F♯ Major | 9 | 2B | 90 BPM | ||
| Aarti Mandapiya Wala Ki | Gokul Sharma | F♯ Major | 9 | 2B | 130 BPM | ||
| Thumak Thumak Kar Naache | Ramkumar Lakha | A♭ Major | 7 | 4B | 165 BPM | ||
| Jaikara Jaikara Shyam Prabhu Ka | Sanju Sharma | G Major | 8 | 9B | 140 BPM | ||
| Charan Kamal Mein Guru Ji Aapke | Uma Sharma | C Major | 9 | 8B | 174 BPM | ||
| Dware Mela Lago Maang Lo Vardan | Sanjo Baghel | G Minor | 8 | 6A | 134 BPM | ||
| Aisi Bhakti Karne Se Tu | Parmod Kumar | G Minor | 6 | 6A | 89 BPM | ||
| Khatu Wala Leele Ghode Wala | Sanjay Mittal | F Minor | 6 | 4A | 100 BPM | ||
| Jiwan Mein Rang Jaroori Ba | Devender Pathak | C Minor | 9 | 5A | 150 BPM |