"We Want More" by Chris Field had its release date on April 12, 2011. We Want More is explicit and may not be suitable for children. With the duration being about 3:51, this song is close to the average duration of a typical track. There are a total of 10 in the song's album "Steel Tiger". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, We Want More is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With We Want More by Chris Field having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Left Me for Dead - Instrumental | Rob Dougan | A♭ Major | 7 | 4B | 127 BPM | ||
| Solidification | Tempest Rising Original Soundtrack | D Major | 5 | 10B | 90 BPM | ||
| On The Inside | David Buckley | C Major | 5 | 8B | 132 BPM | ||
| Cut and Thrust | Stephen Baysted | G Minor | 7 | 6A | 120 BPM | ||
| The Power Of One | Chris Field, Magid Joseph Mina | D Major | 8 | 10B | 160 BPM | ||
| Barnabas İncili | Can Atilla | F Minor | 2 | 4A | 95 BPM | ||
| Flight of the Raven | Chris Field | B♭ Major | 6 | 6B | 106 BPM | ||
| The Return (Orchestral Session) | Rob Dougan | B♭ Major | 5 | 6B | 130 BPM | ||
| Marching March II | The 1999 | C Major | 5 | 8B | 132 BPM | ||
| From North to East | FreshmanSound | D Major | 3 | 10B | 178 BPM | ||
| KING OF THE BURNING CITY | MONGOPSY | C Major | 5 | 8B | 132 BPM | ||
| Hexen Kessel | Chris Field | A Minor | 9 | 8A | 99 BPM | ||
| Judgement Day | Chris Field | B♭ Major | 6 | 6B | 106 BPM | ||
| Multiculturalidad | Valores Especiales | E Minor | 4 | 9A | 130 BPM | ||
| So The Story Goes | Chris Field | G Major | 8 | 9B | 102 BPM | ||
| It's My Crew | GymFit | A♭ Major | 8 | 4B | 117 BPM | ||
| Emerjia | dj la bomba | C Major | 5 | 8B | 132 BPM | ||
| Vincere Ad Ogni Costo | Sagrifizio | B♭ Minor | 7 | 3A | 100 BPM | ||
| Warriors Of Flames | Eternal Slavic Epic Music | D Major | 8 | 10B | 130 BPM | ||
| Minimos Exigidos | Valores Especiales | F Minor | 4 | 4A | 125 BPM | ||
| Till The End | Rumabuta | A Minor | 5 | 8A | 138 BPM | ||
| Blood and Metal (Pirates) | Scott Buckley | C Major | 5 | 8B | 132 BPM | ||
| Sable Sanctum | Etherwound Phantom | C Minor | 5 | 5A | 107 BPM | ||
| Con Las Condiciones Existentes | Valores Especiales | D♭ Major | 8 | 3B | 135 BPM | ||
| Deep Walk | Farid Puber | B Minor | 5 | 10A | 125 BPM |