"Euridice" by Ricky Ian Gordon had its release date on January 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Orpheus & Euridice: A Song Cycle in Two Acts". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Euridice is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Euridice by Ricky Ian Gordon having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore, Act I: Sorry Her Lot | Gilbert & Sullivan Society of Houston | F Major | 1 | 7B | 173 BPM | ||
| Tell Me To Go | Iain Glen, Rebecca Lock | B♭ Major | 1 | 6B | 84 BPM | ||
| Marta | Anthony Crivello, Keith McDaniel, Robert Montano, Dan O'Grady, Raymond Rodriguez, John Norman Thomas, Joshua Finkel, Gary Schwartz, Jerry Christakos, Aurelio Padron | D♭ Major | 1 | 3B | 57 BPM | ||
| Vergin, tutto amor | Francesco Durante, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| My Own Space | Soundtrack/Cast Album | B Minor | 4 | 10A | 74 BPM | ||
| Song on the Sand (La Da Da Da) | Gene Barry, Original Broadway Cast of La Cage Aux Folles | B Major | 1 | 1B | 79 BPM | ||
| I'm Nobody | Jennifer Zetlan, Ricky Ian Gordon | E♭ Minor | 2 | 2A | 101 BPM | ||
| Transition (#4) | Original Broadway Cast Of 'Passion' | A Minor | 1 | 8A | 170 BPM | ||
| A Beautiful Life (feat. Usb960664106) | Ricky Ian Gordon, Tina Landau, Brian D'Arcy James, Kelli O'Hara, Michael Mc Elroy, James Moye, Clarke Thorell, Usb960664106 | C Major | 3 | 8B | 76 BPM | ||
| Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
| Wyoming | Brian D'Arcy James, Jason Danieley, Jessica Molaskey, Victoria Clark | G Major | 1 | 9B | 79 BPM | ||
| Bolcom: Cabaret Songs, Volume I: No. 4, Waitin | William Bolcom, Kate Royal | F Major | 0 | 7B | 86 BPM | ||
| Porgy And Bess: Summertime | George Gershwin, Betty Lane, Houston Grand Opera Women"s Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | ||
| The Voice Across the Moors | Stephen Buntrock, Marla Schaffel, James Barbour | D♭ Major | 3 | 3B | 90 BPM | ||
| Will There Really Be A “Morning”? | Melanie Helton, Ricky Ian Gordon | B♭ Major | 1 | 6B | 91 BPM | ||
| Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
| You Could Never Shame Me | Merle Louise, Brent Carver | B♭ Major | 0 | 6B | 82 BPM | ||
| Estranged from Beauty | Jennifer Zetlan, Ricky Ian Gordon | F♯ Major | 2 | 2B | 96 BPM | ||
| Embraceable You | Tatiana Bookbinder | D Major | 1 | 10B | 70 BPM | ||
| Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
| Mama, It's Me | Brent Carver | G Major | 1 | 9B | 84 BPM | ||
| The Show Biz | Jim Corti, Lynnette Perry | D Major | 2 | 10B | 92 BPM | ||
| Considering Matthew Shepard, Passion: No. 7, The Fence (That Night) | Craig Hella Johnson, Lesléa Newman, Hildegard von Bingen, Conspirare | D Minor | 1 | 7A | 104 BPM | ||
| Clairières dans le ciel: No. 1, Elle était descendue au bas de la prairie | Lili Boulanger, Julie Roset, Susan Manoff | A Major | 2 | 11B | 110 BPM | ||
| My People | Ricky Ian Gordon, Nicole Cabell | A♭ Major | 2 | 4B | 69 BPM |