- BPM
- 83
- Key
- D Minor
- Camelot
- 7A
Vergin, tutto amor by Francesco Durante, Holly Bewlay, Sarah Rhee Song Details
"Vergin, tutto amor" by Francesco Durante, Holly Bewlay, Sarah Rhee had its release date on June 22, 2023. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Vergin, tutto amor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Holly Bewlay, Sarah Rhee's "HOLLY: Twenty-four Italian Songs and Arias" album is number 8 out of 24. On top of that, United States appears to be the country where this track was created. Vergin, tutto amor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Vergin, tutto amor by Francesco Durante, Holly Bewlay, Sarah Rhee to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 11%
- Loudness
- -16.953 dB
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 11%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vergin, tutto amor | Francesco Durante, Sung Hee Park, Jean-Pierre Ferey | D Minor | 1 | 7A | 123 BPM | |
 | The Lark | Mikhail Glinka, Julia Sukmanova, Elena Sukmanova | B Minor | 1 | 10A | 105 BPM | |
 | Sea Pictures, Op. 37: No. 2, In Haven (Capri) | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Major | 1 | 8B | 86 BPM | |
 | Litania della Beata Maria Vergine in F Minor: Virgo prudentissima (Arr. M.A. Willens) | Francesco Durante, Roberta Mameli, Ursula Eittinger, Andreas Post, Stephan MacLeod, Orchester der Kölner Akademie, Michael Alexander Willens | E Minor | 1 | 9A | 160 BPM | |
 | 4 Lieder, Op. 27: No. 4, Morgen! | Richard Strauss, Samuel Mariño, Jonathan Ware | G Major | 0 | 9B | 102 BPM | |
 | Art is Calling for Me | Molly Watson | E♭ Major | 1 | 5B | 108 BPM | |
 | Sento nel core | Alessandro Scarlatti, Sua Jo, The Czech Symphony Orchestra | D Major | 3 | 10B | 109 BPM | |
 | Così fan tutte, K. 588 / Act II: "Prenderò quel brunettino" | Wolfgang Amadeus Mozart, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 1 | 5A | 61 BPM | |
 | Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Antonino Votto, Carlo Badioli, Franco Ricciardi, Carlo Forti, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | |
 | Candide, Act I (Remastered): Glitter and be Gay - 2017 Remastered Version | Leonard Bernstein, Barbara Cook, Candide Orchestra, Samuel Krachmalnick | A♭ Major | 2 | 4B | 172 BPM | |
 | Sleep | Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | |
 | Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | |
 | O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | |
 | Puccini: La bohème, Act 3: "Donde lieta uscì" (Mimì) | Giacomo Puccini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | |
 | Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | |
| Oh! quand je dors, S. 282 (2nd Version) | Franz Liszt, Samuel Mariño, Jonathan Ware | E Major | 0 | 12B | 125 BPM | |
 | Deux chansons: No. 2, Chanson de l'adieu | Dilyana Georgieva, Galina Apostolova | E Major | 1 | 12B | 79 BPM | |
 | Petite messe solennelle: Qui tollis | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva, Delphine Galou | D♭ Major | 1 | 3B | 75 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Erlöst, befreit, für alle Zeit!" [Gingerbread Children, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | |
| Già il sole dal Gange | Alessandro Scarlatti, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | |
 | Widmung, Op. 25, No. 1 | Robert Schumann, Jonas Kaufmann, Helmut Deutsch | A♭ Major | 2 | 4B | 150 BPM | |
 | O Isis und Osiris (Die Zauberflöte) | Gottlob Frick, Berliner Symphoniker | F Major | 2 | 7B | 86 BPM | |
 | Pêcheur de lune | Manuel Rosenthal, Julie Roset, Susan Manoff | E Major | 1 | 12B | 169 BPM | |
 | Magnificat: IV. Quia fecit mihi magna | MartÍn Palmeri, Aleksandra Turalska, Agata Schmidt, Chór Astrolabium, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga Litowska | C Minor | 1 | 5A | 120 BPM | |
 | Vergin, tutto amor | Francesco Durante, Margiono Quintet | C Minor | 0 | 5A | 83 BPM |
- ISRC
- USHM82354175
- Label
- L-M Records/RCA Records