Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini's 'Violin Concerto No. 3 In E Major, MS 50: III. Polacca: Andantino Vivace' had a release date set for February 15, 2001. This song appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Paganini: Violin Concertos Nos. 3 And 4". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Violin Concerto No. 3 In E Major, MS 50: III. Polacca: Andantino Vivace is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Violin Concerto No. 3 In E Major, MS 50: III. Polacca: Andantino Vivace by Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
| 7 Gipsy Melodies, Op. 55, "Zigeunerlieder" (Arr. For Violin And Piano) : Songs My Mother Taught Me, Op. 55, No. 4 | Antonín Dvořák, Zhou Qian, Edmund Battersby | C Major | 2 | 8B | 189 BPM | ||
| Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 | Henri Vieuxtemps, Roberto Díaz, Robert Koenig | F Minor | 1 | 4A | 88 BPM | ||
| Rêverie et caprice, H. 88 | Hector Berlioz, María Dueñas, Deutsches Symphonie-Orchester Berlin, Mihhail Gerts | A Major | 1 | 11B | 109 BPM | ||
| Paganiniana, Variations for Solo Violin | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
| Caprice in A minor, Op. 1, No. 24 | Mayuko Kamio | A Minor | 2 | 8A | 171 BPM | ||
| Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Andante con moto. Variation II | Franz Schubert, Quatuor Arod | A♭ Major | 1 | 4B | 82 BPM | ||
| Paradis: Sicilienne | Maria Theresia von Paradis, Samuel Dushkin, Itzhak Perlman | E♭ Major | 1 | 5B | 88 BPM | ||
| Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: I. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman, Jonathan Manson | F♯ Minor | 2 | 11A | 121 BPM | ||
| Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Antonio Vivaldi, Capella Istropolitana | B Minor | 3 | 10A | 107 BPM | ||
| Tartini: Violin Sonata in G Minor "Devil's Trill" (Arr. Kreisler) | Giuseppe Tartini, Itzhak Perlman, Samuel Sanders | G Minor | 2 | 6A | 98 BPM | ||
| Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
| Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | ||
| Elegie | Jules Massenet, Christian-Pierre La Marca | E Minor | 0 | 9A | 73 BPM | ||
| IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
| Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
| Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
| Fiocco: Harpsichord Suite No. 1: X. Allegro (Arr. for Violin and Piano by Arthur Bent and Norman O'Neill) [from "24 Pièces de clavecin", Op. 1] | Joseph-Hector Fiocco, Itzhak Perlman, Samuel Sanders | G Major | 3 | 9B | 134 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra, Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
| Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
| Paganini Caprice no. 5 | Neil Black | B♭ Minor | 5 | 3A | 84 BPM | ||
| Sonata For Piano And Violin In E Minor, K.304: 1. Allegro | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 2 | 9A | 86 BPM | ||
| Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | ||
| Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM |