Pt. Ravi Shankar's ' "Raga Rasiya - Pt Ravi Shankar" was released on its scheduled release date, December 31, 1950. This song appears to be safe for all ages as it is not explicit. The song is number 18 out of 25 in Classical Greats by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Raga Rasiya - Pt Ravi Shankar's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Raga Rasiya - Pt Ravi Shankar by Pt. Ravi Shankar is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tilak Kamod - Instrumental | Ustad Bismillahkhan | F♯ Minor | 4 | 11A | 76 BPM | ||
| Jaya Hanuman | Arjun Baba & Jason Kalidas | F♯ Major | 3 | 2B | 109 BPM | ||
| Sagar (The Ocean) | Ananda Shankar | D♭ Minor | 6 | 12A | 106 BPM | ||
| Kamod | Buddhadev DasGupta | F Major | 5 | 7B | 168 BPM | ||
| Dhun in Madhyam se Gara - Studio | Tejendra Majumdar, Swapan Chaudhuri | F Major | 2 | 7B | 101 BPM | ||
| Bhairavi | Ty Burhoe, Kala Ramnath | F Major | 4 | 7B | 109 BPM | ||
| Raga Brindavani: Alap | B. Sivaramakrishna Rao | D Major | 0 | 10B | 86 BPM | ||
| The Emperor (Darbari Kanra) | Ali Akbar Khan | A♭ Major | 1 | 4B | 118 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Madhyamakāla Sāhitya (1) | Ranganayaki Rajagopalan, Raja Rao | A♭ Major | 3 | 4B | 153 BPM | ||
| Spinning Wheel | Sissaya Heyku | D Major | 3 | 10B | 172 BPM | ||
| Raga Madhuvanti: Alap, Jor (Live) | Srdjan Beronja | D Major | 7 | 10B | 110 BPM | ||
| Calmness | Krisha Bhargava | A Major | 2 | 11B | 160 BPM | ||
| Garuda | Linda Shanovitch, Baluji Shrivastav, Chris Conway, Hossam Ramzy | D Minor | 3 | 7A | 123 BPM | ||
| Bhajan de Surdas : Raga megh | Lakshmi Shankar | E Major | 1 | 12B | 135 BPM | ||
| Hari Bina Kari - Kajri | Girija Devi | A♭ Minor | 4 | 1A | 126 BPM | ||
| Ahir Bhairav - Pt Shivkumar Sharma Hariprasad Chaurasia And Brij Bhushan Kabra | Hariprasad Chaurasia, Brij Bhushan Kabra, Shivkumar Sharma | F♯ Major | 2 | 2B | 114 BPM | ||
| Jay Ganapati Vandana | Hariharan | B♭ Minor | 5 | 3A | 86 BPM | ||
| Nau | Bickram Ghosh, Kala Ramnath, Jesse Bannister | C Major | 5 | 8B | 110 BPM | ||
| Raga Jhinjhoti in Rupak Tal (7 beats) and Tintal (16 beats) | Hariprasad Chaurasia, Shivkumar Sharma, Kashinath Mishra | G Major | 5 | 9B | 98 BPM | ||
| Janani Ninnuvina | M.S. Gopalakrishnan | F♯ Minor | 4 | 11A | 160 BPM | ||
| Payoji | Mysore M. Nagaraj, Pravin Godkhindi | A Major | 8 | 11B | 155 BPM | ||
| Yochana: Darbur - Aadi - Thyagaraja | Tyagaraja, U. Srinivas | G Major | 6 | 9B | 100 BPM | ||
| Humse Khul Jao Bewaqte | Vatsala Kumthekar, Amar | D♭ Major | 2 | 3B | 65 BPM | ||
| Raga Jait - Gat | Ravi Shankar, Zakir Hussain, Partho Sarathy | A♭ Major | 1 | 4B | 144 BPM | ||
| Bhulite diyona | Sri Chinmoy | F♯ Major | 0 | 2B | 109 BPM |