"Emily — No Prisoner Be: No. 22, Wild Nights!" by Kevin Puts, Time For Three, Joyce DiDonato had its release date on January 30, 2026. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Kevin Puts, Time For Three, Joyce DiDonato's "Kevin Puts: Emily — No Prisoner Be" album is number 22 out of 26. On top of that, United States appears to be the country where this track was created. In terms of popularity, Emily — No Prisoner Be: No. 22, Wild Nights! is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Emily — No Prisoner Be: No. 22, Wild Nights! by Kevin Puts, Time For Three, Joyce DiDonato to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trionfo di Afrodite - Concerto scenico: VI. Song of the married couple in the wedding chamber | Carl Orff, Dagmar Schellenberger, Lothar Odinius, Lisa Larson, Eva Maria Nobäuer, Barbara Reiter, Robert Swenson, Franz Welser-Moest, Franz Welser-Möst, Muenchner Rundfunkorchester, Das Münchner Rundfunkorchester | B♭ Minor | 0 | 3A | 180 BPM | ||
| Jommelli: Attilio Regolo, Act 2: "Sprezza il furor del vento" (Regolo) | Niccolò Jommelli, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 138 BPM | ||
| Orff: Carmina Burana, Pt. 1 "Primo vere": Omnia sol temperat | Carl Orff, Sir Simon Rattle, Christian Gerhaher, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| Antonio e Cleopatra : Morte, col fiero aspetto | Johann Adolf Hasse, Joyce DiDonato, Il Complesso Barocco, Alan Curtis | B Minor | 4 | 10A | 127 BPM | ||
| Stabat Mater, FP 148: X Fac ut portem | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D♭ Minor | 1 | 12A | 76 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| 12 Romances, Op. 21: VII. How Fair this Spot | Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas | F Minor | 1 | 4A | 73 BPM | ||
| 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | D Major | 0 | 10B | 73 BPM | ||
| Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | D Major | 0 | 10B | 73 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VII. Qui Paraclitus diceris - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | ||
| The Kingdom, Op. 51: Ia. In The Upper Room (Seek first the kingdom) | Edward Elgar, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple | D Minor | 2 | 7A | 62 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | ||
| Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | D Major | 2 | 10B | 119 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM | ||
| L'Inconstante | Isabelle Aboulker, Julie Roset, Susan Manoff | C Major | 1 | 8B | 77 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Herbert von Karajan, Anna Tomowa-Sintow, Wiener Singverein, Berliner Philharmoniker | G Major | 1 | 9B | 86 BPM | ||
| 5 Lieder, Op. 105: No. 1, Wie Melodien zieht es mir | Johannes Brahms, Diana Damrau, Helmut Deutsch | C Major | 0 | 8B | 109 BPM | ||
| Alcina, HWV 34 / Act 3: Ma quando tornerai | George Frideric Handel, Joyce DiDonato, Il Complesso Barocco, Alan Curtis | E Major | 3 | 12B | 132 BPM | ||
| Heggie: Camille Claudel - Into the Fire: III. Shakuntala (Live) | Jake Heggie, Joyce DiDonato, Brentano Quartet | C Major | 1 | 8B | 115 BPM | ||
| The Deepest Desire: I. The Call - More is Required - Love | Jake Heggie, Joyce DiDonato, David Zobel, Frances Shelly | D♭ Major | 1 | 3B | 85 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act III: Recitative. "Thy Hand, Belinda" - Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, Joyce DiDonato, Il Pomo D'oro, Maxim Emelyanychev | F♯ Minor | 0 | 11A | 77 BPM | ||
| Porta: Ifigenia in Aulide: "Madre diletta, abbracciami" (Ifigenia) | Giovanni Porta, Joyce DiDonato, Il Complesso Barocco, Alan Curtis | F♯ Minor | 1 | 11A | 169 BPM | ||
| Gluck: Ezio, Wq. 15, Act 3: "Ah! non son io che parlo" | Christoph Willibald Gluck, Joyce DiDonato, Maxim Emelyanychev | G Major | 3 | 9B | 99 BPM | ||
| Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM |