"Carmina Burana: Fortune plango vulnera" by Carl Orff, Ross Pople had its release date on March 29, 1996. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #2. In terms of popularity, Carmina Burana: Fortune plango vulnera is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmina Burana: Fortune plango vulnera by Carl Orff, Ross Pople having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Valquiria, WWV 86b, Act. III: "Cabalgata" - En Vivo | Richard Wagner, Orquesta y Coro de Voces para la Paz, Miguel Roa | B Major | 4 | 1B | 96 BPM | ||
| El Amor Brujo: Danza ritual del fuego | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | E Minor | 1 | 9A | 135 BPM | ||
| Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Pepe Romero, Christine Pendrill, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 70 BPM | ||
| Carmina Burana: VI. Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
| Miserere | Gregorio Allegri, Saul Quirke, Westminster Cathedral Choir, Stephen Cleobury | G Minor | 0 | 6A | 75 BPM | ||
| Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
| Goyescas: Intermezzo | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 90 BPM | ||
| Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 1 | 12A | 68 BPM | ||
| Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
| Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
| Scheherazade, Op. 35: I. The Sea and Sinbad's Ship. Largo e maestoso | Nikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery Gergiev | F Minor | 1 | 4A | 79 BPM | ||
| El Santo Oficio | Federico Jusid, Orquesta Sinfónica de Radiotelevisión Española (RTVE), Coro de Radiotelevisión Española (RTVE) | D Minor | 3 | 7A | 138 BPM | ||
| Asturias (Leyenda) | Isaac Albéniz, Simon Dinnigan | E Minor | 1 | 9A | 108 BPM | ||
| II. Tempo di Valse | Antonín Dvořák, Ross Pople, London Festival Orchestra | C Major | 0 | 8B | 171 BPM | ||
| Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Concertgebouw Orchestra, Charles Münch | D Major | 2 | 10B | 81 BPM | ||
| Carmen Ballet: Toreador | Arthur Fiedler | C Major | 4 | 8B | 110 BPM | ||
| Misericordias Domini, K. 222 | Wolfgang Amadeus Mozart, RIAS Kammerchor, Rundfunk-Sinfonieorchester Berlin, Marcus Creed | G Minor | 1 | 6A | 104 BPM | ||
| Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
| Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
| Carmina Burana: V. Ecce gratum | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
| Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
| El amor brujo, Scene I (1915 Version): No. 4, Danza del fin del día | Manuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez | E Minor | 2 | 9A | 132 BPM | ||
| Carmina Burana: Ave formosissima | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | E Minor | 2 | 9A | 89 BPM | ||
| Capricho Español: Fandango Asturiano | Orquesta Sinfónica De Radio Hamburgo, Ferdinand Canonovich | A Major | 4 | 11B | 189 BPM | ||
| Ocaso De Los Dioses - Marcha Funebre | Maszella Holzapfel, Roberto Saccá. | F Minor | 0 | 4A | 64 BPM |