"Fauré Pavane" by Gabriel Fauré, David Parry, London Philharmonic Orchestra had its release date on May 30, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Fauré Pavane and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Fauré Pavane is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré Pavane by Gabriel Fauré, David Parry, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Carnival of the Animals, R. 125: XIII. Le cygne (Arr. for Cello & 2 Pianos) | Camille Saint-Saëns, Steven Isserlis, Michael Tilson Thomas, Dudley Moore | A♭ Minor | 1 | 1A | 173 BPM | ||
| Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" | George Frideric Handel, Andrew Davis, Royal Choral Society, London Philharmonic Orchestra | D Major | 2 | 10B | 118 BPM | ||
| Etude No. 3 in E Major, Op. 10: "Tristesse" | Frédéric Chopin, Peter Schmalfuss | E Major | 0 | 12B | 67 BPM | ||
| Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
| Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
| Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | C Major | 2 | 8B | 82 BPM | ||
| Cello Suite No. 1 in G Major, BWV 1007: I. Prelude | Johann Sebastian Bach, Torleif Thedéen | G Major | 2 | 9B | 91 BPM | ||
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| The Girl with the Flaxen Hair | Dubravka Tomšič | F♯ Major | 0 | 2B | 73 BPM | ||
| Suite for Orchestra No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Rudolf Baumgartner, Lucerne Festival Strings | D Major | 1 | 10B | 88 BPM | ||
| The Seasons, Op. 37a: VI. June, Barcarolle | Pyotr Ilyich Tchaikovsky, Henrik Måwe | G Minor | 1 | 6A | 130 BPM | ||
| Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | ||
| Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
| Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
| Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo (Opening) | Antonín Dvořák, London Philharmonic Orchestra, Angela Tennick, Sir Charles Mackerras | D♭ Major | 0 | 3B | 73 BPM | ||
| Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
| Sicilienne, Op. 78 (arr. for flute and harp) | Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 153 BPM | ||
| Finlandia, Op. 26 | London Philharmonic Orchestra | A♭ Major | 2 | 4B | 137 BPM | ||
| Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette, 'La campanella' | Niccolò Paganini, Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | B Minor | 2 | 10A | 105 BPM | ||
| 3 Gymnopedies (Orch. Debussy): Gymnopedie No. 2 | Erik Satie, CSR Symphony Orchestra, Bratislava, Ondrej Lenard | D Major | 1 | 10B | 88 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
| Carmen Suite No. 2: II. Habanera | Georges Bizet, David Parry, London Philharmonic Orchestra | D Major | 0 | 10B | 121 BPM | ||
| Mascagni: Cavalleria rusticana: No. 7, Intermezzo (Orchestral Interlude) | Pietro Mascagni, Studio 2 Symphony Orchestra, Vilem Tausky | F Major | 1 | 7B | 83 BPM | ||
| Swan Lake, Op. 20a: No. 3, Dance of the Swans | Pyotr Ilyich Tchaikovsky, Marko Munih, RTV Slovenia Symphony Orchestra | F♯ Minor | 1 | 11A | 116 BPM | ||
| Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM |