Johann Sebastian Bach, 福田 進一(ギター), エドゥアルド・フェルナンデス(ギター)'s ' "協奏曲 ヘ長調 BWV 978 (ヴィヴァルディのヴァイオリン協奏曲ト長調 Op. 3-3 RV 310より): III. Allegro (ギター・デュオ編曲: 福田進一)" was released on its scheduled release date, January 24, 2025. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 協奏曲 ヘ長調 BWV 978 (ヴィヴァルディのヴァイオリン協奏曲ト長調 Op. 3-3 RV 310より): III. Allegro (ギター・デュオ編曲: 福田進一)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ソル:二人の友, so we believe that "協奏曲 ヘ長調 BWV 978 (ヴィヴァルディのヴァイオリン協奏曲ト長調 Op. 3-3 RV 310より): III. Allegro (ギター・デュオ編曲: 福田進一)" is a single. The popularity of 協奏曲 ヘ長調 BWV 978 (ヴィヴァルディのヴァイオリン協奏曲ト長調 Op. 3-3 RV 310より): III. Allegro (ギター・デュオ編曲: 福田進一) is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 協奏曲 ヘ長調 BWV 978 (ヴィヴァルディのヴァイオリン協奏曲ト長調 Op. 3-3 RV 310より): III. Allegro (ギター・デュオ編曲: 福田進一) by Johann Sebastian Bach, 福田 進一(ギター), エドゥアルド・フェルナンデス(ギター) is Presto (very, very fast), since this song has a tempo of 183 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
| II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
| Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
| Waltz in G-Flat Major, D. 1/14 "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | D Minor | 1 | 7A | 113 BPM | ||
| Fantasie c-Moll BWV 919 | Inge Rosar, Johann Sebastian Bach | A♭ Major | 1 | 4B | 132 BPM | ||
| Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
| 16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
| Overture (Suite) No. 2 In B Minor, BWV 1067 : I. Ouverture | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 121 BPM | ||
| Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (Arr. I. Friedman) | Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 77 BPM | ||
| Keyboard Sonata in E Major, Kk. 20 | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
| Mass in B Minor, BWV 232: Et in unum Dominum | Johann Sebastian Bach, René Jacobs, Hillevi Martinpelto, Bernarda Fink, Akademie für Alte Musik Berlin | F♯ Major | 0 | 2B | 64 BPM | ||
| Sonata in D Minor, Kk. 1 (Allegro) | Domenico Scarlatti, Pieter-Jan Belder | A♭ Minor | 2 | 1A | 73 BPM | ||
| Concerto in C Minor: I. Introduzione - Larghetto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Minor | 1 | 5A | 126 BPM | ||
| Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski) | George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 84 BPM | ||
| Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
| Concerto for Oboe and Violin in C Minor, BWV 1060 | Lara St. John, Johann Sebastian Bach, Ariana Ghez, Eduardo Maturet, Simón Bolívar Youth Orchestra of Venezuela | C Minor | 2 | 5A | 177 BPM | ||
| Rameau: Deuxième livre de pièces de clavecin, Suite en mi: V. Le rappel des oiseaux | Jean-Philippe Rameau, David Fray | E Minor | 1 | 9A | 71 BPM | ||
| Passacaglia | Silvius Leopold Weiss, Miloš Karadaglić | D Major | 1 | 10B | 86 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | ||
| Mercy | Max Richter, Hilary Hahn, Cory Smythe | B♭ Minor | 0 | 3A | 91 BPM | ||
| Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (Chorus) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | G Major | 1 | 9B | 123 BPM |