Jean-Pascal Beintus's 'Kidnapping' had a release date set for July 3, 2024. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 21 in Elyas (Bande originale du film) by Jean-Pascal Beintus. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Kidnapping is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kidnapping by Jean-Pascal Beintus is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sementa | Pasquale Catalano, Marco D’amore | A♭ Major | 2 | 4B | 176 BPM | ||
| Prima del silenzio | Paolo Buonvino | C Minor | 0 | 5A | 79 BPM | ||
| Midnight Friends | Attie Esterhuizen, Bob Mintzer, The Cape Town Philharmonic Orchestra | A♭ Major | 2 | 4B | 176 BPM | ||
| Used to Myself | Ria Mbanefo | E♭ Minor | 0 | 2A | 140 BPM | ||
| Paciencia | Emanuela Dellana | F Minor | 2 | 4A | 85 BPM | ||
| 告白 | Naoki Sato | A Major | 5 | 11B | 96 BPM | ||
| Bloom | Fatemeh Ghavidel, Alicia | A Major | 3 | 11B | 82 BPM | ||
| 青い孤島 | Arei | E♭ Major | 1 | 5B | 92 BPM | ||
| Alan's Promise | Mandy Marshall, Mandy Obnorz | E Major | 3 | 12B | 68 BPM | ||
| Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
| A Caribbean Mystery - Nos Morituri | Dominik Scherrer | G Major | 2 | 9B | 73 BPM | ||
| Father Brown Suite | Dirk Brossé, Brussels Philharmonic, Debbie Wiseman | F Major | 5 | 7B | 84 BPM | ||
| Guitar Concerto: II. Aria | Maya Badian, Valentin Farkas, Cluj-Napoca Philharmonic Orchestra, Cristian Mandeal | E Minor | 1 | 9A | 97 BPM | ||
| Cliffside Towns of Greece | Shelly | B Minor | 1 | 10A | 140 BPM | ||
| March | Gareth Malone | E Major | 0 | 12B | 84 BPM | ||
| Dark Hooks | Konfusia Clayman, Konfusi Clayton | B Minor | 3 | 10A | 120 BPM | ||
| Peligros | Armonias | A Major | 6 | 11B | 120 BPM | ||
| Freedom | John R Graham | A Minor | 1 | 8A | 129 BPM | ||
| Blood Ties | Paolo Vivaldi | F Minor | 1 | 4A | 60 BPM | ||
| Kidnapping | Jean-Pascal Beintus | G Minor | 0 | 6A | 70 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Whispers in the Shadows | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| La rencontre | Fabrice Aboulker | G Minor | 1 | 6A | 64 BPM | ||
| Suite de concert sur le Petit Prince d'après Antoine de Saint-Exupéry: IX. Le Petit Prince retourne sur son astéroïde | Jean-Pascal Beintus, Alexandra Conunova, Bryn Lewis, Quentin Hindley, London Symphony Orchestra | A Minor | 0 | 8A | 92 BPM | ||
| Zonas de Paso | Las Eternas | E♭ Major | 3 | 5B | 81 BPM |