"String Sextet (Arr. M. Riesman from Symphony No. 3): III. —" by Philip Glass, Carducci String Quartet, Cian O'Dúill, Gemma Rosefield had its release date on September 4, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Philip Glass, Carducci String Quartet, Cian O'Dúill, Gemma Rosefield's "Glass: String Quartet No. 5, Suite from Dracula & String Sextet" album is number 16 out of 17. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, String Sextet (Arr. M. Riesman from Symphony No. 3): III. — is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Sextet (Arr. M. Riesman from Symphony No. 3): III. — by Philip Glass, Carducci String Quartet, Cian O'Dúill, Gemma Rosefield to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Los Vestidos Desgarrados | Alberto Iglesias | C Minor | 3 | 5A | 105 BPM | ||
| Wanderlust | Joep Beving | D Minor | 0 | 7A | 130 BPM | ||
| Einstein on the Beach: Knee Play 1 | Philip Glass, Michael Riesman | G Major | 1 | 9B | 103 BPM | ||
| Ashes | Hilary Hahn, Hauschka | D♭ Minor | 1 | 12A | 128 BPM | ||
| Schubert: 4 Impromptus, Op. 90, D. 899: No. 1 in C Minor | Franz Schubert, Alexandre Tharaud | C Minor | 1 | 5A | 89 BPM | ||
| String Quartet No. 1 "See the grass is full of stars": II. Meditation | Sophia Jani, Kontai Ensemble | A♭ Major | 1 | 4B | 69 BPM | ||
| The Water Rises | Kronos Quartet, Laurie Anderson | F Minor | 3 | 4A | 106 BPM | ||
| I. Three Parallels: 1 | Peter Gregson, Carducci String Quartet | G Major | 3 | 9B | 134 BPM | ||
| Breathe Easy | Rylandiaa | F Minor | 7 | 4A | 147 BPM | ||
| Why Does Someone Have to Die? | Philip Glass | G Minor | 0 | 6A | 78 BPM | ||
| Pärt: Spiegel im Spiegel | Arvo Pärt, Renaud Capuçon, Guillaume Bellom | F Major | 0 | 7B | 85 BPM | ||
| Your Lunar Way | Federico Albanese | D♭ Major | 3 | 3B | 157 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| The Last Farm 4 | Kjartan Sveinsson | G Major | 3 | 9B | 153 BPM | ||
| Orange mécanique | Wendy Carlos, François Mardirossian | C Minor | 1 | 5A | 72 BPM | ||
| Together We Will Live Forever | Clint Mansell | G Minor | 0 | 6A | 76 BPM | ||
| Arco: II. Second Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | A Minor | 2 | 8A | 93 BPM | ||
| III. Sequence (Eight) | Peter Gregson, Richard Harwood, Warren Zielinski, Ben Hancox, James Boyd | B♭ Minor | 1 | 3A | 62 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| I'm Going to Make a Cake (From "The Hours") [Arr. M. Riesman & N. Muhly for Piano] | Philip Glass, Nicolas Horvath | F Major | 1 | 7B | 85 BPM | ||
| Hammers | Nils Frahm | B♭ Minor | 5 | 3A | 136 BPM | ||
| Atreverse y Vencer | Senderos Del Destino | F Minor | 3 | 4A | 87 BPM | ||
| Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi, Waltraut Wächter, Andreas Hartmann, MDR Leipzig Radio Symphony Orchestra | F Major | 3 | 7B | 124 BPM | ||
| Love & Rage | Johan Söderqvist, Mari Samuelsen, TrondheimSolistene | E Minor | 1 | 9A | 88 BPM | ||
| Theme - From "American Beauty" | Thomas Newman, Daniil Trifonov | G Minor | 0 | 6A | 67 BPM |