"You're All That Matters" by Billy Taylor had its release date on 1961. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Billy Taylor's "Interlude" album is number 3 out of 9. On top of that, Australia appears to be the country where this track was created. The popularity of You're All That Matters is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of You're All That Matters by Billy Taylor to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crazy He Calls Me | Wynton Kelly | C Major | 1 | 8B | 65 BPM | ||
| Autumn In New York | Tal Farlow | G Minor | 1 | 6A | 75 BPM | ||
| Daahoud | Ray Bryant Trio | A♭ Major | 3 | 4B | 105 BPM | ||
| Sweet And Lovely | The Gene Harris Quartet | C Major | 2 | 8B | 169 BPM | ||
| Miss Jackie's Delight | Junior Mance | C Minor | 2 | 5A | 127 BPM | ||
| I'm Just A Lucky So And So | Sonny Clark | F Minor | 2 | 4A | 75 BPM | ||
| Once In A While | Sonny Criss | E♭ Major | 1 | 5B | 60 BPM | ||
| Slowly | Shelly Manne | F Minor | 2 | 4A | 78 BPM | ||
| Love, I've Found You | Wynton Kelly | A♭ Major | 1 | 4B | 85 BPM | ||
| Out of Nowhere | Coleman Hawkins & His All Stars, Milt Hinton, Emmett Berry, Billy Taylor, Eddie Bert, Jo Jones | A♭ Major | 2 | 4B | 98 BPM | ||
| Love For Sale | Junior Mance | F Minor | 3 | 4A | 125 BPM | ||
| Bewitched | Art Pepper | C Minor | 1 | 5A | 66 BPM | ||
| Blood Count | Stan Getz Quartet | D Major | 1 | 10B | 109 BPM | ||
| When Sunny Gets Blue | George Shearing Trio | E♭ Major | 1 | 5B | 63 BPM | ||
| I wish I knew how it would feel to be free (Arr. for Piano by Pete Churchill) | Billy Taylor, Robert Thompson | F Major | 1 | 7B | 104 BPM | ||
| Amarone | Eric Legnini Trio | E Minor | 1 | 9A | 95 BPM | ||
| I Didn't Know What Time It Was - Alternate Take / Remastered 2001/Rudy Van Gelder Edition | Sonny Clark Trio | D Minor | 2 | 7A | 173 BPM | ||
| Deep In A Dream | Sonny Clark | F Major | 1 | 7B | 96 BPM | ||
| Body and Soul - Short Cut - bridge to ending | Arkadia Short Cuts, Billy Taylor | A♭ Major | 3 | 4B | 176 BPM | ||
| Born To Be Blue | Tommy Flanagan Trio | D Minor | 1 | 7A | 115 BPM | ||
| Whisper Not | Junior Mance | G Minor | 3 | 6A | 126 BPM | ||
| Lover Man | Steve Kuhn | F Major | 0 | 7B | 65 BPM | ||
| I've Got A Crush On You | Nat Adderley, Wes Montgomery, Sam Jones | A♭ Major | 1 | 4B | 133 BPM | ||
| Lover Come Back to Me - Music Keeps Us Young | Billy Taylor | F Minor | 4 | 4A | 119 BPM | ||
| Ornithology | Barry Harris Trio | D Major | 5 | 10B | 113 BPM |