"Gershwin: Rhapsody in Blue (Arr. Grofé for Clarinet, Piano and Orchestra), Pt. 10" by George Gershwin, André Previn, Gervase De Peyer, London Symphony Orchestra had its release date on September 17, 2025. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in "Rhapsody in Blue" by Previn, so we believe that "Gershwin: Rhapsody in Blue (Arr. Grofé for Clarinet, Piano and Orchestra), Pt. 10" is a single. Gershwin: Rhapsody in Blue (Arr. Grofé for Clarinet, Piano and Orchestra), Pt. 10 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gershwin: Rhapsody in Blue (Arr. Grofé for Clarinet, Piano and Orchestra), Pt. 10 by George Gershwin, André Previn, Gervase De Peyer, London Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jazz Suite No.1: 3. Foxtrot | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 0 | 10B | 125 BPM | ||
| Peter and the Wolf, Op. 67: The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
| Tango jalousie | Jacob Gade, Sakari Oramo, Wiener Philharmoniker | D Major | 1 | 10B | 72 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Idle Dreams | Arthur Jackson, George Gershwin | F Major | 1 | 7B | 95 BPM | ||
| Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 116 BPM | ||
| La lisonjera, Op. 50 | Cécile Chaminade, Péter Nagy | D♭ Major | 1 | 3B | 132 BPM | ||
| 24 Preludes, Op. 53: Prelude No. 23 in F Major | Nikolai Kapustin, Catherine Gordeladze | B♭ Major | 2 | 6B | 81 BPM | ||
| Of Thee I Sing: Overture (Arr. D. Rose for Orchestra) | George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic Orchestra | G Minor | 2 | 6A | 95 BPM | ||
| Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | E Major | 1 | 12B | 54 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
| Shéhérazade, Op. 35: II. The Legend of the Kalendar Prince | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Minor | 1 | 9A | 74 BPM | ||
| Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B Major | 0 | 1B | 119 BPM | ||
| Elegy No. 1 in D Major | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | D Major | 0 | 10B | 89 BPM | ||
| Piano Concerto in F Major: I. Allegro | George Gershwin, Jon Nakamatsu, Jeff Tyzik, Rochester Philharmonic Orchestra | D♭ Major | 2 | 3B | 91 BPM | ||
| 6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
| Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land | Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper | A Major | 0 | 11B | 69 BPM | ||
| Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| Symphony No. 1, "Afro-american": Iv. Aspiration (Lento, con risoluzione) | William Grant Still, Fort Smith Symphony | F♯ Major | 0 | 2B | 141 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM |