- BPM
- 130
- Key
- C Major
- Camelot
- 8B
All things bright and beautiful by William Henry Monk, Matthew Steynor, James Weeks Song Details
"All things bright and beautiful" by William Henry Monk, Matthew Steynor, James Weeks had its release date on May 20, 1999. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wedding Hymns by Queens' College Choir, Cambridge, James Weeks. The song's track number on the album is #4 out of 22 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Based on our statistics, All things bright and beautiful's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since All things bright and beautiful by William Henry Monk, Matthew Steynor, James Weeks has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With All things bright and beautiful being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
Music Key
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 14%
- Loudness
- -26.197 dB
- Acousticness
- 95%
- Danceability
- 21%
- Energy
- 6%
- Instrumentalness
- 41%
- Liveness
- 13%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 14%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Musica prisca caput | Nicola Vicentino, Exaudi Vocal Ensemble, James Weeks | C Major | 2 | 8B | 96 BPM | |
 | St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | |
 | Eat This Bread | The London Fox Taize Choir | G Major | 2 | 9B | 81 BPM | |
 | Mine Eyes Have Seen the Glory | The London Fox Choir | C Major | 3 | 8B | 80 BPM | |
 | St. Cecilia "Thy Kingdom Come, O God" | Leighton George Hayne, St. Chad's Cathedral Choir, Nigel Morris, David Saint | D Major | 2 | 10B | 96 BPM | |
 | Lead us, heavenly Father, lead us | N/A, Matthew Steynor, James Weeks | A♭ Major | 1 | 4B | 95 BPM | |
 | Wesley: And Can It Be That I Should Gain (Sagina) - 1. and Can It Be That I Should Gain | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | E♭ Major | 3 | 5B | 81 BPM | |
 | The day thou gavest, Lord, is ended (St Clement) | Clement Scholefield, York Minster Choir, Philip Moore | A♭ Major | 2 | 4B | 80 BPM | |
 | When in our music God Is glorified | Charles Villiers Stanford, Cathedral Choral Society, Nicholas White, Gisele Becker | G Minor | 1 | 6A | 104 BPM | |
 | Eventide. Abide With Me (Arr. for Brass Band) | William Henry Monk, Roy Newsome, Besses O' Th' Barn Band, Alec Evans | D♭ Major | 1 | 3B | 73 BPM | |
| Prophetiae Sibyllarum: Carmina chromatico | Orlande de Lassus, Exaudi Vocal Ensemble, James Weeks | C Major | 2 | 8B | 96 BPM | |
 | Trust And Obey | The Jubilate Singers | G Major | 2 | 9B | 77 BPM | |
 | The Crucifixion: Hymn. The Adoration of the Crucified | John Stainer, Brian Kay, Margaret Philips, BBC Singers, Leith Hill Festival Singers | F Major | 1 | 7B | 128 BPM | |
 | The Strife Is O’er | Basilica of the National Shrine of the Immaculate Conception Choir | D Major | 2 | 10B | 83 BPM | |
| Timor et tremor | Orlande de Lassus, Exaudi Vocal Ensemble, James Weeks | F Major | 2 | 7B | 170 BPM | |
 | Abide with Me | William Henry Monk, Norwich Cathedral Choir, Simon Johnson, Neil Taylor | F Major | 2 | 7B | 79 BPM | |
 | Maan korvessa kulkevi (Virsi 971) | Seuralaulu, Olli Kinnunen | F♯ Minor | 3 | 11A | 80 BPM | |
 | O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | |
 | One Faith, One Hope, One Lord | Tennessee Mens Chorale, Tennessee Ladies Chorus | G Major | 4 | 9B | 76 BPM | |
 | Now Thank We All Our God | Cantillation, David Drury, David Russell | F Major | 1 | 7B | 180 BPM | |
 | Songs of Love: III. I Sing Because | Will Todd, Christopher Finch, Wellensian Consort, Will Todd Ensemble | E Minor | 3 | 9A | 144 BPM | |
| Wesley: And Can It Be That I Should Gain (Sagina) - 5. No Condemnation Now I Dread | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 53 BPM | |
 | All Glory, Laud and honour (Tune, St. Theodulph) | Melchior Teschner, Choir of King's College, Cambridge, Richard Farnes, Stephen Cleobury | D♭ Major | 2 | 3B | 99 BPM | |
 | Intimation of Immortality | Shawn Kirchner, BYU Singers | D Major | 0 | 10B | 79 BPM | |
 | O Lord of love, O Lord of grace | The Lord's Prayer | E♭ Major | 3 | 5B | 64 BPM |
- ISRC
- CH6639976004
- Label
- L-M Records/RCA Records