"Now Thank We All Our God" by Cantillation, David Drury, David Russell had its release date on November 9, 2012. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Now Thank We All Our God's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Best-Loved Hymns, so we believe that "Now Thank We All Our God" is a single. The popularity of Now Thank We All Our God is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Now Thank We All Our God by Cantillation, David Drury, David Russell is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messiah, HWV 56, Pt. 3: 46. "Since by Man Came Death" | George Frideric Handel, Cantillation, Orchestra of the Antipodes, Antony Walker | F Major | 3 | 7B | 142 BPM | ||
| It Is Good to Wait in Silence | Carey Landry | E Minor | 2 | 9A | 83 BPM | ||
| Carmina Burana, Blanziflor et Helena: 25. "O Fortuna!" | Carl Orff, Australian Virtuosi, Cantillation, Antony Walker, Synergy | F Major | 2 | 7B | 123 BPM | ||
| Messiah, HWV 56, Pt. 2: 22. "Behold the Lamb of God" | George Frideric Handel, Cantillation, Orchestra of the Antipodes, Antony Walker | F♯ Minor | 0 | 11A | 78 BPM | ||
| Trust And Obey | The Jubilate Singers | G Major | 2 | 9B | 77 BPM | ||
| O Worship The King | Choir of St Mary's Cathedral, Edinburgh | G Major | 2 | 9B | 89 BPM | ||
| Praise, My Soul, the King Of Heaven | John Goss, Henry Francis Lyte, Choir of Jesus College, Cambridge, Richard Pinel | D Major | 2 | 10B | 74 BPM | ||
| Bewaar Sy Woord | New Apostolic Church | B♭ Major | 2 | 6B | 168 BPM | ||
| The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
| Messe No.8 : Messe à la campagne "Credo" | Giovanni Pierluigi da Palestrina, Ensemble Polyphonique de Montparnasse, Victor Martin, Jean-Pierre Leguay | D Major | 1 | 10B | 70 BPM | ||
| Messiah, HWV 56, Pt. 2: 25. "And with His Stripes" | George Frideric Handel, Cantillation, Orchestra of the Antipodes, Antony Walker | C Major | 3 | 8B | 144 BPM | ||
| Reposition: The Divine Praises | John Schiavone | D Minor | 3 | 7A | 71 BPM | ||
| Prelude and Fugue in C Major, Op. 109, No. 3: 2. Fugue | Camille Saint-Saëns, David Drury | F♯ Minor | 3 | 11A | 74 BPM | ||
| King of Glory, King of Peace | The Choir of Trinity College, Melbourne, John O'Donnell, Michael Leighton Jones | G Major | 2 | 9B | 76 BPM | ||
| Come, Holy Ghost, Our Souls Inspire | Choir of St Mary's Cathedral, Edinburgh | E♭ Major | 0 | 5B | 110 BPM | ||
| This Day Was Made by The Lord | Christopher Walker | D Major | 3 | 10B | 56 BPM | ||
| Romance sans paroles, Op. 77 No. 3 | Moritz Moszkowski, Reginald Goss Custard, David Drury | E Major | 0 | 12B | 84 BPM | ||
| Sing of Mary, Pure and Lowly (Arr. R. Proulx for Organ & Mixed Choir) | Roland Ford Palmer, Choirs of Nashotah House Theological Seminary, Thomas Heidenreich, Geoffrey Williams | G Minor | 0 | 6A | 68 BPM | ||
| I Watch The Sunrise | The Galway Singers | A Major | 1 | 11B | 120 BPM | ||
| Hail, Redeemer, King Divine | OCP Session Choir | F Major | 2 | 7B | 89 BPM | ||
| All-Night Vigil, Op. 37: 7. Slava v vyshnikh Bogu | Sergei Rachmaninoff, Cantillation, Antony Walker | E♭ Major | 0 | 5B | 80 BPM | ||
| To God Be the Glory | Harvard University Choir | G Major | 2 | 9B | 105 BPM | ||
| Castor et Pollux, Act I, RCT 32 (1754 Version): Chantons, chantons l'éclatante victoire [Live] | Jean-Philippe Rameau, Cantillation, Orchestra of the Antipodes, Antony Walker | F Major | 3 | 7B | 93 BPM | ||
| Iphigénie en Tauride, Wq. 46, Act IV: Ô Diane, sois-nous propice (Live) | Christoph Willibald Gluck, Cantillation, Orchestra of the Antipodes, Antony Walker | A Minor | 1 | 8A | 72 BPM | ||
| Let All Mortal Flesh Keep Silence | St Cyprian's Episcopal Singers, The Stephen F Austin A Cappella Choir, Tim King, S. Greg Simmons | D Minor | 1 | 7A | 169 BPM |