- BPM
- 142
- Key
- F Major
- Camelot
- 7B
Messiah, HWV 56, Pt. 3: 46. "Since by Man Came Death" by George Frideric Handel, Cantillation, Orchestra of the Antipodes, Antony Walker Song Details
George Frideric Handel, Cantillation, Orchestra of the Antipodes, Antony Walker's ' "Messiah, HWV 56, Pt. 3: 46. "Since by Man Came Death"" was released on its scheduled release date, November 8, 2002. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Messiah, HWV 56, Pt. 3: 46. "Since by Man Came Death"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Orchestra of the Antipodes, Antony Walker's "Handel: Messiah" album is number 47 out of 55. On top of that, Australia appears to be the country where this track was created. Based on our statistics, Messiah, HWV 56, Pt. 3: 46. "Since by Man Came Death"'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
We consider the tempo marking of Messiah, HWV 56, Pt. 3: 46. "Since by Man Came Death" by George Frideric Handel, Cantillation, Orchestra of the Antipodes, Antony Walker to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -11.598 dB
- Acousticness
- 91%
- Danceability
- 36%
- Energy
- 30%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 81%
- Speechiness
- 3%
- Valence
- 48%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 82 BPM | |
![Water Music, Suite No. 2, HWV 349: XI. [Allegro] by George Frideric Handel, Akademie für Alte Musik Berlin](https://i.scdn.co/image/ab67616d00001e020467d27cbc2ac9ea30779a5d) | Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 121 BPM | |
 | Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | |
 | Violin Concerto in D Major: II. Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zefira Valova, Il Pomo D'oro | E Major | 0 | 12B | 71 BPM | |
 | Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | |
 | Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | |
 | Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": Allegro ma non troppo ("Più amabile beltà" from Opera 'Giulio Cesare', HWV 17) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska | D♭ Major | 2 | 3B | 122 BPM | |
 | Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | |
 | Nocturne No. 2 in C Minor, H. 25 | John Field, Benjamin Frith | C Minor | 0 | 5A | 98 BPM | |
 | Concerto For Oboe In D Minor - Adagio | Tafelmusik Baroque Orchestra | D♭ Minor | 1 | 12A | 72 BPM | |
 | Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | |
 | Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | |
 | Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | |
 | Concerto in F Major, S. 234: I. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | |
 | Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | |
 | Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | |
 | Handel: Water Music, Suite No. 2 in D Major, HWV 349: III. Gigue | George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra | D Major | 1 | 10B | 118 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
 | Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | |
 | Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | |
 | Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | |
 | Rinaldo, HWV 7: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 134 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | Concerto grosso in G Minor, Op. 6 No. 8, "Fatto per la Notte di Natale": III. Adagio - Allegro - Adagio (Rev. Vittorio Negri) | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici | E♭ Major | 1 | 5B | 85 BPM |
- ISRC
- AUAB00250107
- Label
- L-M Records/RCA Records