- BPM
- 121
- Key
- F♯ Minor
- Camelot
- 11A
What is pink?: A pavane for the nursery by Ned Rorem, The American Boychoir Song Details
"What is pink?: A pavane for the nursery" by Ned Rorem, The American Boychoir had its release date on September 7, 2009. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 30 in Fast Cats and Mysterious Cows by The American Boychoir, Patricia Petibon, Catherine King. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, What is pink?: A pavane for the nursery's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of What is pink?: A pavane for the nursery by Ned Rorem, The American Boychoir is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.633 dB
- Acousticness
- 99%
- Danceability
- 37%
- Energy
- 16%
- Instrumentalness
- 28%
- Liveness
- 8%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Berceuse for Thomas Montgomery Newman | George Antheil, Judy Pang | C Major | 0 | 8B | 72 BPM | |
 | Choral Hymns from the Rig Veda, 3rd Group, Op. 26: 1. Hymn to the Dawn (arr. J. Lloyd Webber for 4 cellos and harp) | Gustav Holst, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Laura van der Heijden, Catrin Finch | G Major | 1 | 9B | 85 BPM | |
 | Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.1 in C major: Fugue | Dmitri Shostakovich, Vladimir Ashkenazy | A Minor | 0 | 8A | 92 BPM | |
 | Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | |
 | Kaleidoscope, Op. 18: Nos. 1-3: Good Morning; Promenade; the Hurdy Gurdy Man - Duo-Art D906 | Eugene Goossens, Peter Phillips | C Major | 1 | 8B | 66 BPM | |
 | Nymphs and Fauns Arabesque - Duo-Art 5509 | Herman Bemberg, McNair Ilgenfritz, Peter Phillips | D♭ Major | 1 | 3B | 88 BPM | |
 | Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | |
 | Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | |
 | Our Town, Act III: "Coming! Morning, Mama. Morning, Papa" | Ned Rorem, David Kravitz, Angela Gooch, Margot Rood, Brendan Buckley, Gil Rose | A Minor | 3 | 8A | 86 BPM | |
 | Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VIII. Vorpsiel | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | D♭ Major | 1 | 3B | 134 BPM | |
 | Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | |
 | Martinů: Film en miniature: No. 3, Berceuse | Bohuslav Martinů, Bertrand Chamayou | A♭ Major | 0 | 4B | 175 BPM | |
 | Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | D♭ Major | 1 | 3B | 134 BPM | |
 | Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | |
 | Serenade for Strings in E-Flat Major, Op. 6: III. Adagio | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | G Major | 0 | 9B | 73 BPM | |
 | Rorem : Orchids | Ned Rorem, Susan Graham, Ensemble Oriol | F Minor | 0 | 4A | 87 BPM | |
 | Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | |
 | Clear and gentle stream, Op. 17, No. 4 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 92 BPM | |
 | Fugue in Four Keys on "The Shining Shore" | Charles Ives, Orchestra New England, James Sinclair | C Major | 1 | 8B | 60 BPM | |
 | Piano Concerto No. 2: II. Quiet And Sad | Simon Mulligan, Royal Scottish National Orchestra, Joee, Ned Rorem | A♭ Minor | 1 | 1A | 80 BPM | |
 | Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | |
 | Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | D♭ Major | 1 | 3B | 134 BPM | |
 | Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM | |
 | Bois: No. 2, Chanson du Soleil | Jan Erik Mikalsen, Marion Walker, Eivind Gullberg Jensen, Kristiansand Symphony Orchestra | F Major | 1 | 7B | 62 BPM |
- ISRC
- GBPFW0700685
- Label
- L-M Records/RCA Records