"Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VIII. Vorpsiel" by Richard Strauss, Jeffrey Tate, English Chamber Orchestra had its release date on February 1, 2026. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Strauss: Der Bürger als Edelmann & Metamorphosen". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VIII. Vorpsiel's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VIII. Vorpsiel by Richard Strauss, Jeffrey Tate, English Chamber Orchestra having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8 Gedichte, Op. 10, TrV 141: No. 8, Allerseelen (Arr. Reger) | Richard Strauss, Angela Hewitt | G Major | 2 | 9B | 115 BPM | ||
| Die Liebe der Danae: "Wie umgibst du mich mit Frieden" | Richard Strauss, Renée Fleming, Mariinsky Orchestra, Valery Gergiev | F Major | 1 | 7B | 171 BPM | ||
| Roussel: Bacchus et Ariane, Suite No. 2, Op. 43: Prélude. Ariane dort (Andante) | Albert Roussel, Georges Prêtre, Orchestre National De France | F Major | 0 | 7B | 90 BPM | ||
| Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra | E Major | 0 | 12B | 80 BPM | ||
| Symphony No. 1 in C Minor: III. Allegro vivace | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | D♭ Major | 0 | 3B | 81 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | G Major | 1 | 9B | 95 BPM | ||
| Haydn, M: Divertimento in E-Flat Major, MH 9: I. Adagio con variazioni | Michael Haydn, Rodney Slatford, Kenneth Heath, Stephen Shingles | D Major | 1 | 10B | 108 BPM | ||
| 24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
| Don Quixote, Op. 35: II. Don Quixote, the Knight of the Sorrowful Countenance – III. Sancha Panza. Maggiore | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 206 BPM | ||
| Hindemith: Flute Sonata: I. Heiter bewegt | Paul Hindemith, Emmanuel Pahud, Eric Le Sage | F♯ Major | 0 | 2B | 71 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM | ||
| Haydn: String Quartet in G Major, Op. 76 No. 1, Hob. III:75: III. Menuetto. Presto | Joseph Haydn, Quatuor Arod | G Major | 2 | 9B | 116 BPM | ||
| Tandem: I. Con freschezze | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | D♭ Minor | 1 | 12A | 116 BPM | ||
| Chopin: Piano Trio in G Minor, Op. 8: III. Adagio. Sostenuto | Frédéric Chopin, Andreas Brantelid, Marianna Shirinyan, Vilde Frang | E♭ Major | 0 | 5B | 86 BPM | ||
| Breath of the Stars | Jarko Vento | B♭ Minor | 3 | 3A | 125 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | F♯ Minor | 0 | 11A | 83 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Symphony No. 1, GMW 11: Ib. Immer sehr gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 0 | 11B | 95 BPM | ||
| Tempus fugit: I. Part 1 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 123 BPM | ||
| Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Yo-Yo Ma, English Chamber Orchestra, José-Luis Garcia | D Major | 1 | 10B | 99 BPM | ||
| Don Quixote, Op. 35: XIV. Finale. The Death of Don Quixote. Sehr ruhig | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: II. Menuett | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | D Major | 1 | 10B | 92 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | D Major | 1 | 10B | 92 BPM | ||
| Serenade for Strings in E Major, Op. 22, B.52: 1. Moderato | Antonín Dvořák, Saito Kinen Orchestra, Seiji Ozawa | E Major | 1 | 12B | 134 BPM | ||
| Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo | Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 1 | 10B | 92 BPM |