"Song for the Unification of Europe - Julie's Version" by Zbigniew Preisner had its release date on 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 61 in the song's album "Trois Couleurs: Bleu, Blanc, Rouge (Original Motion Picture Soundtrack from the Three Colors Trilogy by Kieślowski)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from France. Song for the Unification of Europe - Julie's Version is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Song for the Unification of Europe - Julie's Version by Zbigniew Preisner having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Julie - In Her New Apartment | Zbigniew Preisner | A Minor | 0 | 8A | 71 BPM | ||
| Le nozze di Figaro, K. 492, Act III: No. 21, Sull' aria... Che soave zeffiretto "Letter Duet" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
| Les Pêcheurs de perles, WD 13, Act I: Je crois entendre encore | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois | C Major | 0 | 8B | 90 BPM | ||
| Palladio: I. Allegretto | Karl Jenkins, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
| McQueen: Time Lapse | Michael Nyman, Michael Nyman Band | F Minor | 1 | 4A | 76 BPM | ||
| Luna Mia Cara | Brice Davoli | C Major | 4 | 8B | 83 BPM | ||
| King Arthur, Z. 628: Act III "What power art thou" | Henry Purcell, Pieter Hendriks, BarokOpera Amsterdam, Frederique Chauvet | A Major | 1 | 11B | 91 BPM | ||
| Akhnaten: Act I, Prelude: Refrain - Verse 1 - Verse 2 | Philip Glass, Dennis Russell Davies | F Major | 1 | 7B | 101 BPM | ||
| Je crois entendre encore - Voice | Georges Bizet, Salvatore Licitra, Sian Edwards, Orchestra of the Royal Opera House, Covent Garden | G Minor | 1 | 6A | 151 BPM | ||
| Requiem For A City - From “The Killing Fields” Soundtrack / Remastered 2015 | Mike Oldfield | C Major | 3 | 8B | 141 BPM | ||
| Addio del passato | Károly Zentai | G Major | 0 | 9B | 166 BPM | ||
| Vide Cor Meum (20th Anniversary Edition) | Patrick Cassidy | A Major | 2 | 11B | 81 BPM | ||
| La Jeune Fille en Feu (Bande originale du film) | Para One, Arthur Simonini | C Major | 1 | 8B | 150 BPM | ||
| O Quam Tristis (Electronic Version) | Marco Rosano, Andreas Scholl, Nabila Trindade | F♯ Minor | 3 | 11A | 122 BPM | ||
| Dona Nobis Pacem 2 (From “The Leftovers” – Season 1) | Angèle Dubeau, La Pietà | A Minor | 4 | 8A | 103 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Night of the Long Knives (After Byrd) | David Hirschfelder, Kim Wheeler, Australian Boys Choir, Unknown Orchestra | C Minor | 1 | 5A | 77 BPM | ||
| Bizet's Les Pecheurs de perles: Je Crois Entendre Encore | Jussi Björling | C Minor | 3 | 5A | 91 BPM | ||
| The English Patient | Academy of St. Martin in the Fields, Gabriel Yared | B Minor | 0 | 10A | 63 BPM | ||
| Venezia | Mark Padmore | G Minor | 1 | 6A | 116 BPM | ||
| Los Vestidos Desgarrados | Alberto Iglesias | C Minor | 3 | 5A | 105 BPM | ||
| Chants d'Auvergne, Vol. 1: No. 2, Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 135 BPM | ||
| Requiem: IIa. Dies irae | Giuseppe Verdi, Wiener Philharmoniker, Herbert von Karajan, Wiener Staatsopernchor, Chorus of the Sofia National Opera, Walter Hagen-Groll | C Minor | 5 | 5A | 78 BPM | ||
| Subiendo - Part 2 | Camille | E Minor | 1 | 9A | 110 BPM | ||
| L'elisir d'amore (The Elixir of Love): Act II Scene 8: Romance - Una furtiva lagrima | Gaetano Donizetti, Vincenzo La Scola, Alessandra Ruffini, Simone Alaimo, Roberto Frontali, Mariangela Spotorno, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | A♭ Major | 3 | 4B | 176 BPM | ||
| Envol | Delphine Malaussena | C Minor | 2 | 5A | 132 BPM |