"Venezia" by Mark Padmore had its release date on September 25, 2020. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Venezia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Man in the Hat (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Venezia is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Venezia by Mark Padmore having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Das Paradies und die Peri, Op. 50, Zweiter Teil: No. 11 Ihr erstes Himmelshoffen schwand | Robert Schumann, London Symphony Orchestra, Sir Simon Rattle, Sally Matthews, London Symphony Chorus, Mark Padmore, Simon Halsey | G Major | 1 | 9B | 142 BPM | ||
| Symphony No. 3, Op. 36, "Symfonia piesni zalosnych" (Symphony of Sorrowful Songs): II. Lento e largo - Tranquillissimo | Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 87 BPM | ||
| Thème principal - Instrumental et voix | Camille Rocailleux | C Minor | 0 | 5A | 95 BPM | ||
| La wally - Remastered | Vladimir Cosma, Wilhelmenia Fernandez, London Symphony Orchestra | E Major | 3 | 12B | 83 BPM | ||
| Medea - Invocation "Nunc iam cessit pontus et omnis partitur" | Montserrat Figueras, Sénèque, Dimitri Psonis, Jordi Savall | F Major | 1 | 7B | 66 BPM | ||
| Maometto II, Act 3 Scene 5: Giusto Ciel (Arr. for Countertenor & String Quartet by Eric Mouret) | Gioachino Rossini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Sanvean - I Am Your Shadow | Lisa Gerrard | D Minor | 3 | 7A | 92 BPM | ||
| Flowering Jasmine | Gidon Kremer | A Minor | 0 | 8A | 135 BPM | ||
| Caccini: Le nuove musiche: No. 8, Amarilli, mia bella | Giulio Caccini, Jakub Józef Orliński, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
| Schwanengesang, D. 957: VI. In der Ferne | Franz Schubert, Mark Padmore, Paul Lewis | E♭ Major | 3 | 5B | 128 BPM | ||
| Armenian Song | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | B♭ Minor | 0 | 3A | 77 BPM | ||
| Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
| Arco Iris | Amina Alaoui | D Major | 3 | 10B | 82 BPM | ||
| Frozen River Flows | Dobrinka Tabakova, Roman Mints, Raimondas Sviackevičius, Donatas Bagurskas | E♭ Major | 0 | 5B | 135 BPM | ||
| A Paghjella di l'impiccati | A Filetta | D Major | 1 | 10B | 101 BPM | ||
| Susie Glass | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| Sicily | Jeff Russo | G Minor | 1 | 6A | 80 BPM | ||
| Freddy Not Happy | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| St Birgitta Hymn - Rosa Rorans Bonitatem | Trio Mediæval, Arve Henriksen | F Minor | 0 | 4A | 105 BPM | ||
| Sérénade à Watteau | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
| Pensando a Bellini | Paolo Buonvino, Rossella Ruini | A Minor | 2 | 8A | 82 BPM | ||
| Mass in C Major, Hob. XXII:9, "Paukenmesse": II. Gloria. Qui tollis peccata mundi | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir | E♭ Major | 0 | 5B | 119 BPM | ||
| Ochre: I. Siderite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM |