- BPM
- 83
- Key
- A Minor
- Camelot
- 8A
Romanesca by L'Arpeggiata, Christina Pluhar Song Details
"Romanesca" by L'Arpeggiata, Christina Pluhar had its release date on 2003. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Romanesca's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 15 in All' Improvviso: Ciaccone, Bergamasche, & un po' di Follie... by Christina Pluhar, L'Arpeggiata. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Romanesca is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Romanesca by L'Arpeggiata, Christina Pluhar is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 32%
- Loudness
- -26.146 dB
- Acousticness
- 32%
- Danceability
- 32%
- Energy
- 10%
- Instrumentalness
- 23%
- Liveness
- 9%
- Loudness
- 56%
- Speechiness
- 3%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The English Dancing Master: Parson's Farewell | John Playford, Dorothee Oberlinger | C Major | 1 | 8B | 112 BPM | |
 | La Villanella, Seconda parte, Dolente partita: IV. Galliarda prima | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar | F Major | 3 | 7B | 103 BPM | |
 | Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | |
 | Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | |
 | Innsbruck, ich muß dich lassen | Heinrich Isaac, Harmonia Recorder Ensemble | C Major | 0 | 8B | 135 BPM | |
 | La Saché (feat. Gwen Tual Et Nathalie Le Gaouyat) | Louis de Caix d'Hervelois, Gwen Tual Et Nathalie Le Gaouyat | A♭ Minor | 2 | 1A | 79 BPM | |
 | Edward Corcoran | Turlough O'Carolan, Les Musiciens De Saint-Julien, François Lazarevitch | E♭ Minor | 2 | 2A | 78 BPM | |
 | Trio in E-Flat Major: II. Andantino | Bernhard Joachim Hagen, Miguel Rincón, Il Pomo D'oro | B Minor | 1 | 10A | 74 BPM | |
 | La dama le demanda | Fahmi Alqhai, Antonio de Cabezón, Accademia del Piacere | F♯ Minor | 1 | 11A | 82 BPM | |
 | Suite in the Old Style (excerpts, Arr. for Cello and Piano J. Sévilla-Fraysse): III. Minuet | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | A Minor | 0 | 8A | 92 BPM | |
 | Folia (1) | Giovanni Paolo Foscarini, Private Musicke | C Major | 1 | 8B | 86 BPM | |
 | Tarantella Napoletana, Tono Hypodorico | Christina Pluhar, Athanasius Kircher, L'Arpeggiata | F Major | 2 | 7B | 157 BPM | |
 | Oboe Concerto in G Major, TWV 51:2: I. Andante | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | E Minor | 1 | 9A | 73 BPM | |
 | Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Antoine Boësset, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | |
| La Villanella, Terza parte, Alle nozze: V. Tarantella di Sannicandro | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel | G Minor | 1 | 6A | 84 BPM | |
 | A Collection of Old Scots Tunes: Busk ye busk ye my bonny bride (Arr. by Söllscher) | Francesco Barsanti, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 55 BPM | |
 | Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | |
 | Invan lusinghi | Stefano Landi, L'Arpeggiata, Christina Pluhar | B♭ Major | 1 | 6B | 78 BPM | |
| La Villanella, Seconda parte, Dolente partita: III. L'Arpeggiata | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar | G Major | 1 | 9B | 109 BPM | |
 | 'Stù criatu | Enzo Gragnaniello, Christina Pluhar | D Minor | 1 | 7A | 116 BPM | |
 | Provenzale: Cuccopinto de st’arma | Francesco Provenzale, Christina Pluhar, Alessandro Giangrande, Joao Fernandes | G Minor | 1 | 6A | 176 BPM | |
 | Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | |
 | Prélude & Andante in C Minor | Philippe Joseph Hinner, Vera Schnider, Eva Saladin | C Minor | 1 | 5A | 107 BPM | |
 | Fandango | Christina Pluhar, L'Arpeggiata | A Minor | 4 | 8A | 110 BPM | |
 | Trattenimenti per camera, Op. 22: Capriccio sopra 12 note | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM |
- ISRC
- FR50X0351204
- Label
- L-M Records/RCA Records