Subhamita's ' "Kotha Pabi Mon" was released on its scheduled release date, February 19, 2006. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nachiketa, Subhamita's "Moner Hodish" album is number 6 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Kotha Pabi Mon is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kotha Pabi Mon by Subhamita to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tui Fele Esechis Kare | Mekhla Dasgupta | E Minor | 2 | 9A | 119 BPM | ||
| O Jibon Tomar Sathe | Imon Chakraborty | G Major | 3 | 9B | 144 BPM | ||
| O Sona Reshmi | Mita Chatterjee | D♭ Minor | 7 | 12A | 80 BPM | ||
| Ei Sundar Swarnali Sandhaye | Geeta Dutt | D♭ Major | 1 | 3B | 98 BPM | ||
| Modhuro Dhwoni Baaje | Sohini Mukherjee | A Major | 4 | 11B | 158 BPM | ||
| Amar Ektarata (From "Rawkto Rawhoshyo") | Lagnajita Chakraborty, Debdeep Mukhopadhyay | A Major | 8 | 11B | 135 BPM | ||
| Na Bole Esechhi | Arpita Biswas, Papan Subhendu | A♭ Major | 3 | 4B | 125 BPM | ||
| Ami Keboli Swapano Korechi | Subhamita | B Major | 2 | 1B | 148 BPM | ||
| Tumi Elena Keno Elena | Kumar Sanu | C Major | 5 | 8B | 94 BPM | ||
| Milon hobe koto dine | Borno Chakroborty, Shafayet Badhon | E Minor | 5 | 9A | 117 BPM | ||
| Jhorna Kothai Jaabe | Joy Sarkar, Shovan Ganguly | D Major | 4 | 10B | 155 BPM | ||
| Baro Asha Kore Esechhi Go | Hemant Kumar, Arundhati Holme Chowdhury | D Major | 3 | 10B | 78 BPM | ||
| Amar Bhindeshi Tara | Chondrobindu | E♭ Minor | 4 | 2A | 132 BPM | ||
| Tomar Aamar Golpo(From "Manikbabur Megh") | Anirban Bhattacharya, Subhajit Mukherjee, Abhinandan Banerjee | D Major | 1 | 10B | 139 BPM | ||
| Shurey Shurey Jodi | Tushar Dutta | A Major | 6 | 11B | 110 BPM | ||
| Gram-Chhara Oi Ranga Matir Path - Rezwana Chowdhury Bannya | Rezwana Choudhury Bannya | B♭ Major | 3 | 6B | 117 BPM | ||
| Gahanakusumkunja Majhe | Pousali Banerjee | B Major | 4 | 1B | 166 BPM | ||
| Chhatimphuler Gandhe | Subhamita, Indraadip Dasgupta, Ritam Sen, Subhamita Banerjee | D Major | 2 | 10B | 117 BPM | ||
| Danriye Achho Tumi Amar | Arundhati Holme Chowdhury, Kunal Mitra, Rituparna Sengupta, Abhishek Chatterjee | D♭ Minor | 5 | 12A | 125 BPM | ||
| Bidhire Bidhire | Raghav Chattopadhyay, Jeet Gannguli | A Minor | 3 | 8A | 112 BPM | ||
| Bhuban Dangar Hashi | Topu, Nancy, Prince Mahmud | E Major | 3 | 12B | 124 BPM | ||
| Lal Paharir Deshe Ja | The Arbachin Band, Chakraborty Raja | G Major | 6 | 9B | 150 BPM | ||
| O Mor Moyna Go | Nandita Das | D♭ Major | 6 | 3B | 148 BPM | ||
| Olir Katha Shune Bakul Hase | Debolinaa Nandy | D Major | 4 | 10B | 168 BPM | ||
| Ami Shunechi Sedin Tumi | Provat Tonoy, Moushumi Bhowmik | D♭ Major | 2 | 3B | 102 BPM |