Anonymous, Darol Anger, Mike Marshall's ' "Wayfaring Stranger (Instrumental)" was released on its scheduled release date, October 10, 2006. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anonymous 4, Darol Anger, Mike Marshall's "Gloryland: Folk Songs, Spirituals, Gospel Hymns of Hope & Glory" album is number 4 out of 19. On top of that, United States appears to be the country where this track was created. In terms of popularity, Wayfaring Stranger (Instrumental) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Wayfaring Stranger (Instrumental) by Anonymous, Darol Anger, Mike Marshall to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In splendoribus sanctorum | Anonyme, Obsidienne, Emmanuel Bonnardot | A♭ Major | 1 | 4B | 98 BPM | ||
| Ave Maria | Jacques Arcadelt, Maria Choir, Bror Samuelson | E Major | 0 | 12B | 146 BPM | ||
| Apostolorum passio, Melodia ambrosiana | Sant'Ambrogio, Concentus Monodicus Schola Gregoriana, Riccardo Zoja, Edoardo Bellotti | D Major | 1 | 10B | 71 BPM | ||
| Lauda Sion: Nunc dimittis - Sequentia in Festo Corporis Christi | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | A Major | 1 | 11B | 106 BPM | ||
| Ave Maria | Josquin des Prez, Weser-Renaissance Bremen, Manfred Cordes | G Minor | 0 | 6A | 144 BPM | ||
| Introit: Salve mater redemptoris - Salve lux langentium - Salve sine spina - Salve sancta parens | Anonymous, John Dowland, Anonymous 4 | B♭ Minor | 0 | 3A | 99 BPM | ||
| Vespers, Op. 37: Come, Let Us Worship | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F Major | 0 | 7B | 111 BPM | ||
| Te Deum "Isten, téged" | Anonymous, Anonymous 4 | F Minor | 1 | 4A | 90 BPM | ||
| Today the Virgin Gives Birth: Matins, Kontakion | Choir of the Monks of Chevetogne | B♭ Major | 2 | 6B | 203 BPM | ||
| Béthléem | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | C Major | 0 | 8B | 79 BPM | ||
| Congaudeant catholici - Códice Calixtino | Anonymous, Coro De Monjes Del Monasterio De Silos | B♭ Minor | 9 | 3A | 110 BPM | ||
| O quant qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
| Kyrie V - Kyrie magnae Deus potentiae, Vat. V/In Nativitate Domini ad Missam in die | Anonymous, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | E Minor | 0 | 9A | 75 BPM | ||
| Missa Gaudeamus: XXI. Salve Regina | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | B Minor | 0 | 10A | 125 BPM | ||
| Doamne, Auzi Glasul Meu | Corul National de Camera Madrigal - Marin Constantin | A Major | 2 | 11B | 175 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Byrd: Ave Verum Corpus | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Minor | 1 | 1A | 88 BPM | ||
| Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Antiphona: Alleluia, Alleluia, Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A Major | 2 | 11B | 72 BPM | ||
| Domine praevenisti | Chorał gregoriański, Schola Cantorum Misericordis Christi, Piotr Arseniuk, Piotr Karwowski | D Minor | 1 | 7A | 74 BPM | ||
| Canticle of Simeon | Choir of the Monks of Chevetogne | F Major | 1 | 7B | 168 BPM | ||
| Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | F♯ Minor | 0 | 11A | 88 BPM | ||
| L’ombra dei boschi d’Aser | Pietro Clausetti, Norrlands Nations Kammarkör, Francesco Acquista | D Major | 3 | 10B | 75 BPM | ||
| Alabanza Interior | Musica Catolica Gregoriana | D Minor | 0 | 7A | 109 BPM |