"Transcendence" by Dexter Britain had its release date on April 20, 2015. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Dexter Britain's "Impression" album is number 7 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Transcendence is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Transcendence by Dexter Britain to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Beginning | Sean Redmond | C Major | 2 | 8B | 92 BPM | ||
| Lost Memories | FormantX | A Minor | 1 | 8A | 100 BPM | ||
| Rae | Kevin Graham | G Minor | 1 | 6A | 120 BPM | ||
| Offering Light | Immediate | A♭ Minor | 4 | 1A | 100 BPM | ||
| It's Happening Again - Instrumental | Agnes Obel | B♭ Major | 3 | 6B | 172 BPM | ||
| La tendresse | Dominique Charpentier | D Major | 1 | 10B | 117 BPM | ||
| We Were There | Federico Albanese | F Minor | 1 | 4A | 135 BPM | ||
| Delicate Felt | Eric Chevalier | D Minor | 1 | 7A | 147 BPM | ||
| My World | Florian Bur | B♭ Major | 3 | 6B | 140 BPM | ||
| Belonging | Muted | C Major | 1 | 8B | 167 BPM | ||
| Free Spirited | Dexter Britain | C Major | 0 | 8B | 111 BPM | ||
| Don't Talk About the Boat | Atli Örvarsson | E Minor | 0 | 9A | 150 BPM | ||
| Thankful | Anthony Greninger | C Major | 1 | 8B | 111 BPM | ||
| Dreamer | Anthony Greninger | F♯ Major | 2 | 2B | 180 BPM | ||
| The Path of Silence | Anne Sophie Versnaeyen, Gabriel Saban, Philippe Briand | C Minor | 4 | 5A | 92 BPM | ||
| Downstream | Muted | A Minor | 4 | 8A | 140 BPM | ||
| Staring | Muted | A Minor | 1 | 8A | 140 BPM | ||
| The Rules of Social Class | Dexter Britain | B♭ Minor | 4 | 3A | 125 BPM | ||
| Linn's Theme | Björn Baummann | A Minor | 2 | 8A | 174 BPM | ||
| Pulling a Thread | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | D Minor | 5 | 7A | 128 BPM | ||
| Maribel | Oskar Schuster | C Major | 2 | 8B | 77 BPM | ||
| As We Lose Sight of the Place We Once Longed For | A Cerulean State | A♭ Minor | 1 | 1A | 75 BPM | ||
| Esquisse II | Dominique Charpentier | C Minor | 2 | 5A | 160 BPM | ||
| Imbre | Jordan Critz | G Minor | 2 | 6A | 128 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM |