"Phantom Channel Crossing" by Labradford had its release date on January 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Labradford's "Labradford" album is number 1 out of 7. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Phantom Channel Crossing's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Phantom Channel Crossing by Labradford to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Undercurrent | Windy & Carl | A Major | 2 | 11B | 203 BPM | ||
| dlp 1.3 | William Basinski | F Major | 1 | 7B | 71 BPM | ||
| Low Sudden | Daniel Lanois, Rocco DeLuca | C Major | 0 | 8B | 72 BPM | ||
| V | Labradford | B Minor | 2 | 10A | 96 BPM | ||
| Iniziare | Alessandro Cortini | B Major | 1 | 1B | 70 BPM | ||
| East Of The City | Gravenhurst | A♭ Minor | 3 | 1A | 81 BPM | ||
| Amroth | Nest | E Major | 1 | 12B | 69 BPM | ||
| 1/2 | Brian Eno, Robert Wyatt, Rhett Davies, Bang On A Can All-Stars | F Minor | 2 | 4A | 78 BPM | ||
| Tom | Fennesz | D Major | 6 | 10B | 100 BPM | ||
| Black Refraction | Tim Hecker | A♭ Minor | 1 | 1A | 179 BPM | ||
| Talk To The Church | Gaussian Curve | F♯ Major | 0 | 2B | 136 BPM | ||
| Moments In Love | Kara-Lis Coverdale | C Minor | 1 | 5A | 73 BPM | ||
| Our Last Moment in Song | Brian McBride | A Minor | 2 | 8A | 96 BPM | ||
| Gradual of Image | Sarah Davachi | F Minor | 1 | 4A | 166 BPM | ||
| Shining Book | Pan-American | D Minor | 1 | 7A | 57 BPM | ||
| Silene | Biosphere | D Minor | 0 | 7A | 95 BPM | ||
| To All It | Bing & Ruth | F Minor | 1 | 4A | 68 BPM | ||
| Cathedral, Pt. 2 | Christopher Tignor | F♯ Major | 0 | 2B | 71 BPM | ||
| Gratitude | Labradford | B Major | 0 | 1B | 73 BPM | ||
| Dry Retch | Donnacha Costello | E♭ Major | 3 | 5B | 72 BPM | ||
| Cognition Interlace | Eluvium | A♭ Major | 2 | 4B | 140 BPM | ||
| And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
| Battered | Labradford | D Minor | 3 | 7A | 75 BPM | ||
| Swimming in a Western Hotel | Pan-American | F Minor | 0 | 4A | 68 BPM | ||
| For Voice | Sarah Davachi | F Major | 1 | 7B | 125 BPM |