"Jane Eyre, Act II: Jane, my dear, it has come (Mrs. Fairfax, Adele, Jane, Mrs. Rochester)" by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Andrew Slater, Beverley Mills, Fflur Wyn had its release date on September 1, 2002. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 20 in Berkeley: Jane Eyre by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Fflur Wyn, Beverley Mills, Emily Bauer-Jones, Andrew Slater. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Jane Eyre, Act II: Jane, my dear, it has come (Mrs. Fairfax, Adele, Jane, Mrs. Rochester) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Jane Eyre, Act II: Jane, my dear, it has come (Mrs. Fairfax, Adele, Jane, Mrs. Rochester) by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Andrew Slater, Beverley Mills, Fflur Wyn is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8 Motets: No. 8, Veritas mea | Michael Berkeley, Voces Sacrae, Judy Martin | D Major | 1 | 10B | 64 BPM | ||
| Bacharach: South American Getaway (From "Butch Cassidy and Billy the Kid") | Gautier Capuçon, Capucelli | D Major | 1 | 10B | 104 BPM | ||
| Nocturne in D Minor, Op. 19 No. 4 (Version for Cello and Orchestra) - Live | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Verbier Festival Chamber Orchestra | G Major | 3 | 9B | 98 BPM | ||
| Turangalîla-Symphonie: V. Joie du sang des étoiles | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| To Be Sung of a Summer Night on the Water, RT IV No. 2: I. — | Frederick Delius, The Carice Singers, George Parris | A Major | 2 | 11B | 130 BPM | ||
| Sweeter Than The Rain | Mark Knopfler | B Minor | 2 | 10A | 78 BPM | ||
| Nocturnes, Op. 62: II. Lento (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E Major | 1 | 12B | 86 BPM | ||
| Lose Blätter, Op. 13: VIII. Sarabande | Max Reger, Irene Cantos | D Minor | 0 | 7A | 69 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| Keyboard Sonata in B Minor, Kk. 87 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
| Gnossiennes: No. 1 Lent | Erik Satie, Alice Sara Ott | C Minor | 0 | 5A | 141 BPM | ||
| Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane) | Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh | B Minor | 2 | 10A | 77 BPM | ||
| The Sage - Live At Newcastle City Hall, 1971 | Emerson, Lake & Palmer | A Minor | 0 | 8A | 109 BPM | ||
| Strozzi: Che si può fare? (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | D Minor | 2 | 7A | 98 BPM | ||
| Mood for a Day | Steve Howe, David Palmer | D Major | 2 | 10B | 132 BPM | ||
| Strange Fruit (Arr. Kanneh-Mason & Gillam for Cello & Saxophone) | Sheku Kanneh-Mason, Jess Gillam | G Minor | 0 | 6A | 135 BPM | ||
| Two of Us | Roger Hodgson | A Major | 6 | 11B | 128 BPM | ||
| The Tale of Andrew - SATB | Michael Berkeley, The Oxford Choir | G Major | 1 | 9B | 68 BPM | ||
| The 3rd Rail | Ian Hunter, Jeff Beck, Johnny Depp | A♭ Major | 7 | 4B | 110 BPM | ||
| Le Clochard | Focus | D Major | 1 | 10B | 76 BPM | ||
| Elgar: Carissima (Version for Violin and Piano) | Edward Elgar, Vilde Frang, Thomas Hoppe | G Major | 0 | 9B | 104 BPM | ||
| When One Door Opens (Overture) (Live At The Hollywood Bowl With Orchestra) | Joe Bonamassa | C Major | 6 | 8B | 136 BPM | ||
| Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
| Me and My Axe | Tony Levin, Jerry Marotta, Larry Fast, Steve Hunter | A Major | 4 | 11B | 182 BPM | ||
| Horizons - 2007 Stereo Mix | Genesis | G Major | 3 | 9B | 109 BPM |