The Kingdom, Op. 51: IIId. Pentecost "Repent and be Baptized" by Edward Elgar, Claire Rutter, Susan Bickley, John Hudson, Iain Paterson, Sir Mark Elder, Hallé Song Details

"The Kingdom, Op. 51: IIId. Pentecost "Repent and be Baptized"" by Edward Elgar, Claire Rutter, Susan Bickley, John Hudson, Iain Paterson, Sir Mark Elder, Hallé had its release date on 2008. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 9 out of 60 in Elgar Oratorios by Sir Edward Elgar, Hallé, Sir Mark Elder. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Kingdom, Op. 51: IIId. Pentecost "Repent and be Baptized" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of The Kingdom, Op. 51: IIId. Pentecost "Repent and be Baptized" by Edward Elgar, Claire Rutter, Susan Bickley, John Hudson, Iain Paterson, Sir Mark Elder, Hallé is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -18.969 dB
Acousticness: 88%
Danceability: 14%
Energy: 24%
Instrumentalness: 91%
Liveness: 9%
Loudness: 68%
Speechiness: 4%
Valence: 6%

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