Francesco Spinacino, Robert Meunier's 'Recercare (II)' had a release date set for February 1, 2002. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Recercare (II)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vergine bella - Italian Renaissance Music by Carolyn Sampson, Clare Wilkinson, Julian Podger, Robert Meunier, Guy Ross, Tessa Bonner, James Gilchrist, Jonathan Arnold. The song's track number on the album is #10 out of 20 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Recercare (II) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Recercare (II) by Francesco Spinacino, Robert Meunier has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Recercare (II) being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 126 BPM | ||
| Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 70 BPM | ||
| Armoniosi concerti sopra la chitarra spagnola: Alemanda Seconda (Arr. for Baroque Guitar and Theorbo by Albane Imbs) | Domenico Pellegrini, Albane Imbs, Rolf Lislevand | F♯ Major | 2 | 2B | 137 BPM | ||
| Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
| Prologue: L’Orfeo, Ritornello (The Ritual of Initiation) | The Wandering Bard, Claudio Monteverdi | G Major | 0 | 9B | 81 BPM | ||
| En el porta de Santiago ! : Canzon La Benedetta | Andrea Falconieri, Arianna Savall, La Fenice, Jean Tubéry | G Minor | 1 | 6A | 78 BPM | ||
| Première Suytte de Branles d'Escosse | Pierre Attaingnant, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | ||
| The King of Denmarks Delight | Tobias Hume, Jordi Savall | G Major | 0 | 9B | 81 BPM | ||
| Arpeggiata a mio modo (2004) | Stephen Stubbs | E♭ Minor | 0 | 2A | 84 BPM | ||
| Toccate | Paolo D'Aragon, Joachim Held | E Minor | 1 | 9A | 79 BPM | ||
| BRANLE VII | Hortus Musicus | D Minor | 3 | 7A | 80 BPM | ||
| Congaudentes Iubilemus | Anon. Troparium de Catania, Trouvere Medieval Minstrels | C Major | 1 | 8B | 158 BPM | ||
| Suite for 2 Lutes in Bb (Baron) - Allemande | Edward Martin and Paul Berget | A Major | 1 | 11B | 95 BPM | ||
| A Plaine Song for Two Lutes | Thomas Robinson, Lynda Sayce, Matthew Spring | B♭ Major | 2 | 6B | 127 BPM | ||
| Intabulatura de lauto, libro 1, RISM B/I: IV. Recercare f.44 | Francesco Spinacino, Sandro Volta | B♭ Major | 2 | 6B | 94 BPM | ||
| Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
| The Bear - Lute Only | Giulio Cesare Barbetta, Massimo Lonardi | C Minor | 0 | 5A | 56 BPM | ||
| Tombeau de M. Blanrocher | Dufaut, Toyohiko Satoh | D♭ Minor | 1 | 12A | 82 BPM | ||
| Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
| Ferita d’Amore Gagliarda | Bellerofonte Castaldi, Albane Imbs | F♯ Major | 2 | 2B | 137 BPM | ||
| Short Almaine | John Johnson, Shirley Rumsey, Christopher Wilson | G Minor | 1 | 6A | 81 BPM | ||
| Suite in G Major: I. Prélude | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Chiacona | Francesco Corbetta, Brandon J. Acker, Douglas Balliett | B Major | 0 | 1B | 78 BPM |