"En el porta de Santiago ! : Canzon La Benedetta" by Andrea Falconieri, Arianna Savall, La Fenice, Jean Tubéry had its release date on 2008. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. En el porta de Santiago ! : Canzon La Benedetta's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Un camino de Santiago". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Belgium. En el porta de Santiago ! : Canzon La Benedetta is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With En el porta de Santiago ! : Canzon La Benedetta by Andrea Falconieri, Arianna Savall, La Fenice, Jean Tubéry having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, L: Pavanne, G. 120 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | ||
| Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
| Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| [Suite en sol mineur]: I. Prélude (No. 63) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 0 | 11A | 115 BPM | ||
| Sonata in D Major a 4 (No.1) | Matthias Weckmann, La Fenice | A Minor | 2 | 8A | 124 BPM | ||
| Il primo libro di Canzone, Sinfonie, Fantasie, Capricci, Brandi, Correnti, Gagliarde, Alemane, Volte: Ciaccona in G Major (Arr. for Ensemble by René Schiffer) | Andrea Falconieri, Apollo's Fire, Jeannette Sorrell | G Major | 4 | 9B | 133 BPM | ||
| II. Menuet I — Menuet II | Joseph Haydn, Tjasha Gafner | A♭ Major | 0 | 4B | 130 BPM | ||
| Prélude & Andante in C Minor | Philippe Joseph Hinner, Vera Schnider, Eva Saladin | C Minor | 1 | 5A | 107 BPM | ||
| Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
| Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
| Instrumental piece III | Hildegard von Bingen, Sequentia, Barbara Thornton, Margriet Tindemans | C Major | 0 | 8B | 136 BPM | ||
| Dame, ne regardes pas (Medieval Fiddles) | Guillaume de Machaut, Emmanuel Bonnardot, Radall Cook | E♭ Minor | 0 | 2A | 82 BPM | ||
| Li 5 libri della chitarra alla spagnola: Ciacona in C | Giovanni Paolo Foscarini, Private Musicke, Pierre Pitzl | D♭ Minor | 2 | 12A | 66 BPM | ||
| La Saché (feat. Gwen Tual Et Nathalie Le Gaouyat) | Louis de Caix d'Hervelois, Gwen Tual Et Nathalie Le Gaouyat | A♭ Minor | 2 | 1A | 79 BPM | ||
| Sinfonia quinta (Excerpt) | Salomone Rossi, Constantinople | A Minor | 1 | 8A | 67 BPM | ||
| 3e livre de viole: Grand Ballet (Extrait du IIIe Livre) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Luca Guglielmi | A♭ Minor | 0 | 1A | 101 BPM | ||
| Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
| For The Feast-Day of St. James, apostle: O beate Dei athleta Jacobe | Urbani Loth, Arianna Savall, La Fenice, Jean Tubéry | A Minor | 1 | 8A | 81 BPM | ||
| Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
| Childgrove | The Broadside Band | C Major | 1 | 8B | 82 BPM | ||
| Gracias a la Vida | Violeta Parra, Arianna Savall, Petter Udland Johansen, Hirundo Maris | D Major | 0 | 10B | 78 BPM | ||
| Three Feminine Portraits - Lady Hunsdon's Allemande | Hopkinson Smith, John Dowland | B♭ Major | 2 | 6B | 80 BPM | ||
| Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
| Suite in G Major: V. Musette de Monsieur Marais | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM |