- BPM
- 67
- Key
- E♭ Major
- Camelot
- 5B
Couperin, L: Pavanne, G. 120 (Transcr. Pierlot) by Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel Song Details
"Couperin, L: Pavanne, G. 120 (Transcr. Pierlot)" by Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel had its release date on November 14, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Louis Couperin, Jean Rondeau's "Louis Couperin: The Complete Works, Vol. II" album is number 11 out of 27. On top of that, United Kingdom appears to be the country where this track was created. Couperin, L: Pavanne, G. 120 (Transcr. Pierlot) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Couperin, L: Pavanne, G. 120 (Transcr. Pierlot) by Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 19%
- Loudness
- -24.014 dB
- Acousticness
- 94%
- Danceability
- 8%
- Energy
- 2%
- Instrumentalness
- 70%
- Liveness
- 12%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: V. Chaconne | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 94 BPM | |
 | Emily — No Prisoner Be: No. 6, I dwell in Possibility | Kevin Puts, Time For Three, Joyce DiDonato | E♭ Major | 3 | 5B | 89 BPM | |
 | Gaultier le Vieux: Suite en ré mineur: II. Tombeau de Mézangeau (Transcr. Rondeau pour clavecin) | Ennemond Gaultier, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | |
 | Passacaglia | Giovanni Paolo Foscarini, Pierre Pitzl, Private Musicke | D♭ Minor | 2 | 12A | 66 BPM | |
 | Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | B♭ Major | 1 | 6B | 141 BPM | |
 | Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | |
 | Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | |
 | Pièces de viole, Tournus Manuscript: No. 91. Sarabande | Monsieur de Sainte-Colombe, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | |
 | La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | |
 | Sinfonia quinta (Excerpt) | Salomone Rossi, Constantinople | A Minor | 1 | 8A | 67 BPM | |
 | Folía echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, Capella De La Torre, Katharina Bauml | F Major | 2 | 7B | 121 BPM | |
 | Canzoni overo sonate concertate per chiesa e camera, Op. 12: No. 19, Ballo detto Eccardo | Tarquinio Merula, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 2 | 3A | 159 BPM | |
 | Violin Sonata No. 6 in C Minor, C. 143: II. Passacaglia | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | B Major | 0 | 1B | 56 BPM | |
 | Facultad organica: No. 15, Tiento de quarto tono, FO 15 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 87 BPM | |
 | Manuscrit de Cracovie, Suite in D Minor: Prélude du Sieur Dubuisson | Nicolas Hotman, Lucile Boulanger | D♭ Major | 0 | 3B | 78 BPM | |
 | Lachrimæ antiquæ Novæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland) | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet, John Dowland | D♭ Minor | 1 | 12A | 101 BPM | |
 | Amarilli, mia bella, IGC 3 (Arr. for Trio) | Chamber Ensemble | B♭ Minor | 1 | 3A | 58 BPM | |
 | Adieu Ma Doulce | Gilles Binchois, Calliope | A Minor | 0 | 8A | 126 BPM | |
 | Couperin, L: Fugue, OL 62 | Louis Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 85 BPM | |
 | Oh Gottes Stadt, BuxWV 87 | Dietrich Buxtehude, Martin Platz, Wolfgang Katschner, Lautten Compagney | E♭ Major | 3 | 5B | 89 BPM | |
![Membra Jesu Nostri, BuxWV 75: Sonata [Ad latus] by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot](https://i.scdn.co/image/ab67616d00001e0213366b3e28d66deb3edae1c1) | Membra Jesu Nostri, BuxWV 75: Sonata [Ad latus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | |
 | La dama le demanda | Fahmi Alqhai, Antonio de Cabezón, Accademia del Piacere | F♯ Minor | 1 | 11A | 82 BPM | |
 | Dowland: Lachrimae, or Seven Tears: No. 10, Semper Dowland, semper dolens, P. 9 | John Dowland, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 130 BPM | |
 | Sopra Canaryo | Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 1 | 9B | 104 BPM | |
 | Suite in G Minor: V. Fantaisie en rondeau | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 91 BPM |
- ISRC
- GBPFW2500182
- Label
- L-M Records/RCA Records