Jan Savitt's ' "Big Beaver" was released on its scheduled release date, February 13, 1966. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Shuffle in Style". In this album, this song's track order is #20. Based on our statistics, Big Beaver's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Big Beaver by Jan Savitt having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just a Little Bit of North Carolina | Anita O'Day, Gene Krupa & His Orchestra | A♭ Major | 5 | 4B | 77 BPM | ||
| At Last | Charlie Spivak & His Orchestra | A Major | 2 | 11B | 81 BPM | ||
| 'leven Thirty Saturday Night | Bert Ambrose Orchestra, Jess Kirkpatrick, Bill Grantham, Earl Burtnett | E♭ Major | 3 | 5B | 111 BPM | ||
| Pompton Turnpike | Charlie Barnet & His Orchestra | F Minor | 2 | 4A | 86 BPM | ||
| There I Go | Vaughn Monroe | A♭ Major | 3 | 4B | 100 BPM | ||
| Milkman, Keep Those Bottles Quiet | Ella Mae Morse | D♭ Major | 5 | 3B | 82 BPM | ||
| Bolero At The Savoy | Gene Krupa & His Orchestra, Carolyn Grey | A Minor | 6 | 8A | 163 BPM | ||
| Indian summer | Kay Kyser & His Orchestra, Kay Kyser | E♭ Major | 3 | 5B | 76 BPM | ||
| Goodnight Wherever You Are | Sonny Dunham & His Orchestra | E♭ Major | 2 | 5B | 95 BPM | ||
| Rip Van Winkle | Ella Mae Morse | D♭ Major | 5 | 3B | 82 BPM | ||
| Hoy-Hoy | Cab Calloway | F Minor | 1 | 4A | 149 BPM | ||
| Farewell Blues | Eddie Condon | B Major | 5 | 1B | 121 BPM | ||
| In a Sentimental Mood | Jimmy Dorsey & His Orchestra | D♭ Major | 5 | 3B | 82 BPM | ||
| Ain't She Sweet | Bunny Berigan | C Major | 2 | 8B | 95 BPM | ||
| Metronome All-Out - Remastered 2021 | The Metronome All-Stars | G Minor | 5 | 6A | 207 BPM | ||
| I Double Dare You | Larry Clinton, Bea Wain | D♭ Major | 5 | 3B | 82 BPM | ||
| Put Your Arms Arround Me | Bea Wain | D♭ Major | 5 | 3B | 82 BPM | ||
| King Porter Stomp | Jimmy Dorsey & His Orchestra | D♭ Major | 5 | 3B | 82 BPM | ||
| Der Abenteurer von Paris: Ich und du verliebt | Werner Bochmann, Berlin Deutschlandsenders Orchestra, Willi Stech | D♭ Major | 1 | 3B | 112 BPM | ||
| Call Me Happy | Earl Hines & His Orchestra | A♭ Major | 6 | 4B | 117 BPM | ||
| Mess Hall Matinee - 1944 Version | Raymond Scott | G Minor | 4 | 6A | 136 BPM | ||
| Green Eyes | Jimmy Dorsey, Claire Hogan, Kenny Martin | G Major | 1 | 9B | 119 BPM | ||
| Verde botella rota | Cromatica nocturna | G Minor | 2 | 6A | 110 BPM | ||
| This Is No Dream | Charlie Barnet & His Orchestra | B♭ Minor | 1 | 3A | 120 BPM | ||
| Subway | Ozzie Nelson and His Orchestra | C Major | 2 | 8B | 135 BPM |