On January 19, 2016, the song "Walking in Tokyo" was released by Angelo Berardi, Tim & Puma Mimi. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Walking in Tokyo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 18 in Der grosse Sommer (Original Film Music) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Walking in Tokyo's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Walking in Tokyo by Angelo Berardi, Tim & Puma Mimi is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso | Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman | G Minor | 3 | 6A | 78 BPM | ||
| Concerto Grosso No. 1 in C Minor, Op. 2: I. Andante | Francesco Geminiani, L'Archicembalo | B Minor | 1 | 10A | 39 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
| Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Jeanne Lamon, Tafelmusik Baroque Orchestra | F♯ Minor | 1 | 11A | 56 BPM | ||
| Cello Sonata in C Major, Op. 5 No. 3, H. 105: I. Andante | Francesco Geminiani, Andreas Gilger, Adrian Cygan | B Major | 1 | 1B | 92 BPM | ||
| Oster-Oratorium, BWV 249: Adagio | Johann Sebastian Bach, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | G Minor | 1 | 6A | 116 BPM | ||
| Herr Gott, nun schleuß den Himmel auf, BWV 617 (Arr. for Oboe, Violin, Viola da gamba & Cello by Anonymous) | Johann Sebastian Bach, Xenia Löffler, Julia Scheerer, Vittorio Ghielmi, Katharina Litschig | F♯ Major | 0 | 2B | 128 BPM | ||
| Concerto grosso in D Major, Op. 6 No. 1: II. Largo – Allegro | Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Minor | 2 | 12A | 81 BPM | ||
| Ouverture-Suite In D Major TWV 55:D6: V. Bourée | Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 3 | 4B | 129 BPM | ||
| Violin Sonata in D Minor, Op. 2, No. 3, RV 14: III. (Adagio) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | E Major | 3 | 12B | 107 BPM | ||
| Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | F♯ Major | 1 | 2B | 105 BPM | ||
| Concerto Grosso in C Minor, Op. 1, No. 2: I. Adagio | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 155 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
| Himmelskönig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | F♯ Major | 0 | 2B | 96 BPM | ||
| San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
| Flute Sonata in G Major, Op. 1/5, HWV 363b: II. Allegro | George Frideric Handel, Lisa Beznosiuk, Paul Nicholson, Richard Tunnicliffe | F♯ Major | 1 | 2B | 129 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Ballet | Nicolas Hotman, Lucile Boulanger | D♭ Minor | 1 | 12A | 60 BPM | ||
| La stravaganza, Op. 4, Violin Concerto No. 6 in G Minor: II. Largo | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | D♭ Minor | 0 | 12A | 121 BPM | ||
| Goldberg Variations, BWV 988 (Arr. for Ensemble by Robin Pharo and Jean Rondeau): Var. XVI. Ouverture. a 1 Clav. | Johann Sebastian Bach, Nevermind | F♯ Major | 2 | 2B | 69 BPM | ||
| Sonata in D-Dur, BuxWV 267: Sonata in D-Dur, BuxWV 267: IV. Solo-Allegro-Allegro-Presto | Dietrich Buxtehude, La Rêveuse, Emily Audouin, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 81 BPM | ||
| Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 142 BPM | ||
| Scarlatti, A: Filli che esprime la sua fede a Fileno: III. Aria. "Chiedi pur ai monti" | Alessandro Scarlatti, Gérard Lesne, Il Seminario Musicale | F♯ Major | 3 | 2B | 103 BPM |