"Tony Caruso's Final Broadcast, Scene 8: Eleven O'Clock (Intern, Engineer, Nun, Priest)" by Paul Salerni, Eric Fennell, Jacquelyn Familant, Jan Opalach, Henry Fogel, Vicki Doney, Val Hawk, Nancy Reed, Disella Larusdottir, Keith Phares, Rory Lipkis, Alison Tupay, Phoebe Fennell, Patricia Risley, Monocacy Chamber Orchestra, Jung-Ho Pak had its release date on October 26, 2010. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Tony Caruso's Final Broadcast, Scene 8: Eleven O'Clock (Intern, Engineer, Nun, Priest)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Salerni: Tony Caruso's Final Broadcast". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. Tony Caruso's Final Broadcast, Scene 8: Eleven O'Clock (Intern, Engineer, Nun, Priest) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tony Caruso's Final Broadcast, Scene 8: Eleven O'Clock (Intern, Engineer, Nun, Priest) by Paul Salerni, Eric Fennell, Jacquelyn Familant, Jan Opalach, Henry Fogel, Vicki Doney, Val Hawk, Nancy Reed, Disella Larusdottir, Keith Phares, Rory Lipkis, Alison Tupay, Phoebe Fennell, Patricia Risley, Monocacy Chamber Orchestra, Jung-Ho Pak having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 86 BPM | ||
| Finding One Self: No. 2, A Young Woman | Paul Salerni, The Bowers Fader Duo | G Major | 2 | 9B | 102 BPM | ||
| Emily — No Prisoner Be: No. 8, A Bee I personally knew (Scherzo No. 1) | Kevin Puts, Time For Three | E Major | 1 | 12B | 133 BPM | ||
| 4 City Scenes: No. 2, Mirabeau Bridge | Paul Salerni, The Bowers Fader Duo | G Major | 2 | 9B | 102 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 15, Pt. III. The Commandant and the Stranger (Opening) | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | E Major | 1 | 12B | 133 BPM | ||
| Cosmic Journey | Nomad Skies | B Major | 4 | 1B | 123 BPM | ||
| Timelapse | Uno Helmersson, Goldmund Quartet | D♭ Major | 4 | 3B | 136 BPM | ||
| Something Permanent: No. 5, Apartment | Paul Salerni, The Bowers Fader Duo | G Major | 2 | 9B | 102 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM | ||
| Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": III. Adagio - Finale | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
| Speaking of Love: No. 3. The Song | Paul Salerni, Patricia Koch Budlong, Two Part Invention | F Major | 1 | 7B | 97 BPM | ||
| III. Tin Pan Alley | Paul Schoenfield, Oscar Bohórquez, Frank Braley | D♭ Major | 1 | 3B | 89 BPM | ||
| Bartók: 44 Duos for Two Violins, Sz. 98: No. 11, Cradle Song | Béla Bartók, Andrew Watkinson, Ralph De Souza | E♭ Major | 0 | 5B | 67 BPM | ||
| Moz-Art für zwei Violinen (Nach dem Fragment KV 416d) | Alfred Schnittke, Clarissa Bevilacqua, Larissa Cidlinsky | E Major | 1 | 12B | 133 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | E Major | 1 | 12B | 133 BPM | ||
| Dreaming Her | Pattingson | D Major | 2 | 10B | 113 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | E Major | 1 | 12B | 133 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 4. Secret Mushroom Entrance | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | E Major | 1 | 12B | 133 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | E Major | 1 | 12B | 133 BPM | ||
| Ciudadano Sombra: II. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| More Gordian Knots (Version for Woodwind Ensemble): III. Jig | Guy Woolfenden, Czech Philharmonic Wind Ensemble, Shea Lolin | G Minor | 2 | 6A | 68 BPM |