Usha Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal's ' "Dhoom Mach Gai Dhoom" was released on its scheduled release date, January 1, 1972. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The track order of this song in Laxmikant–Pyarelal's "Gora Aur Kala" album is number 5 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, Dhoom Mach Gai Dhoom is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Dhoom Mach Gai Dhoom by Usha Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Dil Hai Koi Shisha Toh Nahi | Anu Malik, Asha Bhosle, Shabbir Kumar | G Minor | 6 | 6A | 113 BPM | ||
| Ram Ji Ne Dhanush Tooda | Suresh Wadkar, Nitin Mukesh | F Minor | 7 | 4A | 80 BPM | ||
| Mana Kanton Se Bhari | Mohammed Aziz, Laxmikant–Pyarelal | B♭ Minor | 5 | 3A | 74 BPM | ||
| Shiksha Prapt Karne Ko Chale Hain Brahmchari | Ravindra Jain | E Major | 4 | 12B | 116 BPM | ||
| Kaun Hai Aisa Jise Phoolon Se | K. J. Yesudas, Hemlata | E♭ Minor | 6 | 2A | 87 BPM | ||
| Meri Munni Rani So Ja | K. J. Yesudas | C Minor | 3 | 5A | 144 BPM | ||
| Aala Thandicha | Usha Mangeshkar | C Major | 7 | 8B | 149 BPM | ||
| Nain Kabootar | Anu Malik, Asha Bhosle, Kumar Sanu | D♭ Major | 7 | 3B | 119 BPM | ||
| Ram Rang Barse Ri | Ravindra Jain, Hemlata | F Major | 4 | 7B | 113 BPM | ||
| Kise Khabar Kahan Dagar | K. J. Yesudas, Hemant Kumar | G Minor | 5 | 6A | 90 BPM | ||
| Karz Chukana Hai | Nitin Mukesh | A♭ Minor | 8 | 1A | 129 BPM | ||
| Main Hoon Prem Rogi | Suresh Wadkar, Laxmikant–Pyarelal | E Minor | 8 | 9A | 157 BPM | ||
| Chalna Hai Tera Kaam - 1 | Bappi Lahiri | G Minor | 2 | 6A | 140 BPM | ||
| Chand Chhupta Hai - 1 | Shabbir Kumar | D♭ Major | 8 | 3B | 117 BPM | ||
| Pataya Pataya Ladki Ko Pataya | Shabbir Kumar | E Minor | 8 | 9A | 140 BPM | ||
| O Duniya Ke Rakhawaale | Naushad, Mohammed Rafi | D Minor | 5 | 7A | 92 BPM | ||
| Tum Jo Parda Rakhoge | Aparna Mayekar, Bappi Lahiri | F♯ Minor | 10 | 11A | 98 BPM | ||
| Jai Govindam Jai Govindam | Ravindra Jain, Sushil | D Major | 6 | 10B | 102 BPM | ||
| Aajkal Tere Mere Pyar Ke Charche - Trap | Suman Kalyanpur, Mohammed Rafi, Afterlyf | F♯ Minor | 6 | 11A | 160 BPM | ||
| Laila Mar Gayee | Laxmikant–Pyarelal, Anuradha Paudwal | D Major | 8 | 10B | 88 BPM | ||
| O Re Babuaa | Kishore Kumar, Laxmikant–Pyarelal | D Major | 7 | 10B | 81 BPM | ||
| Ek Paisa De De O Babu | Mohammed Rafi, Asha Bhosle | A♭ Major | 2 | 4B | 134 BPM | ||
| Dhadak Dhadak Dil | Suraiya, Mohammed Rafi | F♯ Minor | 6 | 11A | 98 BPM | ||
| Chal Chal Kahin Akele Mein | Sulakshana Pandit, Hemlata | D♭ Major | 9 | 3B | 134 BPM | ||
| Jane Kahan Mera Jigar Gaya Ji | Geeta Dutt, Mohammed Rafi | F♯ Major | 5 | 2B | 121 BPM |